The films by Austrian artist Dietmar Brehm, born in 1947 and trained as a painter, are significant cornerstones in the recent history of experimental and found-footage cinema. His work has been admired by artists as diverse as Andrei Tarkovsky or Stan Bra
Der österreichischen Filmavantgarde gelang es immer wieder,
internationale Reputation zu erlangen. In den 80er und 90er Jahren
konnte vor allem Dietmar Brehm eine Vielzahl an nationalen und
internationalen Preisen erlangen. Laut Peter Tscherkassky sind seine
Filme das Ergebnis eines Arbeitsprozesses, in dem das Bildmaterial so
lange der Bearbeitung ausgesetzt wird, bis es seine größte Verdichtung
erreicht hat. Dieses Buch geht von Interviews mit dem Künstler aus, die
die Entstehungsgeschichte der Filme erhellen, es untersucht in
The definitive book about one of the essential artists in modern cinema. Peter Kubelka, creator of radical masterpieces such as Arnulf Rainer (1958-60) and Our Trip to Africa (1966) is also known internationally for his work as a teacher-philosopher - con
The large-scale volume Avant-Garde Film. Austria. From 1950 to Today collects essays, interviews, film analyses, historical documents about - and selected writings by - the most important Austrian independent filmmakers: Peter Kubelka, Kurt Kren, Valie Ex
Martin Arnold ist einer der profiliertesten experimentellen Filmemacher Osterreichs. Seine jungste Arbeit "Deanimated: The Invisible Ghost" ist eine Art Ubermalung eines klassischen amerikanischen Horrorstreifens: im Verlauf der Handlung werden zentrale Figuren des Geschehens mit digitalen Mitteln herauskopiert, sodass sich der Film sukzessive entvolkert. Durch diesen Deanimationsprozess entsteht aus der alten, herkommlichen Suspense-Geschichte eine neue, die offener und ratselhafter ist. Deanimated prasentiert den gesamten Film in einer Serie von Fotostills.
Bringing alive a remarkable moment in American cultural history, Scott MacDonald tells the colorful story of how a small, backyard organization in the San Francisco Bay Area emerged in the 1960s and evolved to become a major force in the development of in
Made in the period around May 1968 by a dozen rebels whose undisputed leader was Philippe Garrel, the Zanzibar Films fall within a “wild innocence” that is striking as much for its violence as well as for its lucidity. The author reveals the truth on one
Complete monograph on a master of experimental cinema, with a general introduction on its whole œuvre, several essays, texts by the artist and interviews.
Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussSitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War.
Nauman's eerily intuitive way of creating sophisticated, intellectually angular art out of simple gestures-a 10-minute film called "Bouncing Two Balls between the Floor and Ceiling with Changing Rhythms," for example, in which the artist does just that-builds fascination out of repetition's blandness. This set of collected writings is essential for anyone wishing to explore the ideas behind Nauman's practices, even if it duplicates much of the recent Art + Performance volume (Johns Hopkins, 2003) on Nauman and is nearly twice as expensive.
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