The edition arsenal experimental has taken on the task of initiating new discussions and of putting experimental film back on its feet. And in three languages: in that of the film, that of the idea, and in the language of empathy.
Christine Noll B
Pip Chodorov's portraits of filmmakers, produced for ARTE tv channel between December 2001 and June 2004.
"The Brig" is a modern Inferno. The men who enter it abandon all hope of mercy. Here, hell is a Marine Corps prison in which humiliation and brutality are dished out according to the book, with guards and inmates performing a mad ritual of degradation...
REWIND + PLAY presents a selection of key works from the first decade of artist’s video practice in the UK. From early conceptual experiments exploring the parameters of the medium to works dealing with media culture and television this collection explores the range and diversity of the first years of video as new media.
This DVD features five films by Vivienne Dick from various times in her life, and is meant as an introduction to the breadth of her work: Beauty Becomes the Beast is from her early suite of films made in the ‘No Wave’ scene of 1970s New York; Visibility MVivienne Dick (b. 1950, Ireland) is an internationally-celebrated film-maker and artist. A key figure of the ‘No Wave’ movement in New York in the late 1970s and early 1980s, she has gone on to develop an extraordinary body of work, which has been shown in cinemas, films festivals and art galleries around the world.
"Peter Weibel, Rewriter: Early (conceptual) photographs, (expanded) films, (body) videos and (contextual) works, 1964-1975"
Edited by Aaron Levy and Osvaldo Romberg
A video archive published in conjunction with the Slought Foundation exhibition (2009)
"Another Tomorrow: Young Video Art from the Collection of the Neue Galerie Graz am Landesmuseum Joanneum"
Selected by Günther Holler-Schuster, in conjunction with the Slought Foundation exhibition (2008)
Featuring works by Martin Kaltner/Thomas Baum
Coproduction by Kiwido and the Centro Sperimentale di Cinematografia.
Curated by Sergio Toffetti and Annamaria Licciardello
256-page book, bilingual in Italian and English, featuring many photographs, drawings and photograms by Paolo Gioli. Texts by Sergio Toffetti, Giacomo Daniele Fragapane, David Bordwell, Dominique Païni, Elena Volpato, Jean-Michel Bouhours, Bruno Di Marino, Keith Sanborn, Annamaria Licciardello.
From the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and peFrom the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position.
Gioli's name is often associated with those Italian filmmakers who frequented the Cooperativa Cinema Indipendente centered around the Filmstudio in Rome. But this is really an over-simplification derived more than anything else from a need to classify thi
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