À la fin du XIXe siècle, la naissance de la ville moderne, c'est-à-dire la ville électrifiée, coïncide avec l'apparition du cinéma. Circulation des tramways et des métros qui sillonnent les rues et abolissent les distances, lumières des néons et des vitri
Award-winning and select short films from the 48th Ann Arbor Film Festival, featuring new genre-crossing works from Spain, England, Germany, Norway and the U.S. The first 200 DVDs come in a screen-printed matteboard case, printed by VGKids, and include a set of five postcards with original artwork by filmmakers Martha Colburn, Lewis Klahr, Julie Murray, Michael Robinson and Deborah Stratman.
Vital Signals is a survey of the vibrant, interdisciplinary video art scene in Japan in the 1960s and '70s. Produced by EAI, the DVD anthology features sixteen works by fifteen Japanese artists, among them key figures such as Takahiko Iimura, Mako Idemits
ETC: Experimental Television Center 1969-2009 is a compilation of groundbreaking electronic media work by 100 artists who have worked in the Center's Residency Program during the last 40 years.
The Hidden Decade is a selection of works that are crucial to the history of Polish video art. The ten-year period from 1985 to 1995 was a remarkable era in Polish art: an era when new artistic approaches were taking shape – an era full of social, political and cultural transformation. It started with dissent against the realities of Communist Poland, especially after the repressive martial-law period; it lead to the emergence of a forerunner of the art scene as we know it today.
The first in a series of DVDs dedicated to the Spanish filmmaker Adolpho Arrietta, with his first three films, El crimen de la pirindola (1965), La imitación del ángel (1966) and Le jouet criminel (1969)
Third release in the edition of Baillie's film works. This volume contains the newly restored version of Quick Billy (1970)
Includes Tuning the Sleeping Machine, To Re-edit the World, The Graceless, Roman Chariot, and Work Song OM (for Allen Ginsberg)
I wrote my Master's thesis on the teaching of film as an art form. From 1969 to 1980 I was able to put these ideas into practice while teaching filmmaking in the Art Department at Sonoma State University in northern California. Some of my students , whose
Wasteland Utopias explores the intersection of two radically different utopian thinkers: mega-developer Del Webb and outsider psychiatrist/naturalist Wilhelm Reich. Each found his way into southern Arizona’s Sonoran Desert in the late 1950s-Webb building
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