Trust No Thought Of Mine is the latest modular video work by Zeljko Vukicevic, also known as Zhel. This omnibus pays homage to Isidore Isou’s Venom and Eternity (1951), adopting Isou’s protest style—particularly through intertitles that act as provocative slogans on creativity, challenging and disrupting the viewer’s expectations.

The four decades of work that comprise avant-gardist Fred Worden’s cinematic explorations are a constantly evolving set of collisions (and collusions) involving images and abstractions that range from satirical jabs at the self-seriousness of experimental film culture, sincere tributes and contemplations of the medium, or pure jolts of pulsating visual energy—but most often, all of the above. Throughout his artistic life and career as a professor, Worden has found himself at the epicenter of creative communities on the west coast (where he graduated from CalArts and made early collaborations with Chris Langdon), the east coast (evidenced in his longtime friendships with the likes of Ken Jacobs and Ernie Gehr), and in between (as a member of the Criss-Cross artists group from Boulder).

The Film Gallery is pleased to host a discussion with Canadian artist Angela Henderson and experimental filmmaker Solomon Nagler, in connection with the current exhibition submerged in the waters… between the waters, between the waters.