An expanded cinema epic, Jennifer Reeves’s When It Was Blue consists of two 16mm reels projected by the artist atop one another on a single screen, each unfurling a contrapuntal stream of images captured from the landscapes of the Americas, Iceland, and New Zealand. Always on the move, Reeves’s film flits through an ever-changing world of sun-struck treetops, billowing hills, collapsing glaciers, and efflorescent lava, with fleeting portraits of owls, seafowl, snakes, and the occasional human.