Eventos

  • Crossing Borders with Naomi Uman

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    Leche (Naomi Uman, 1998)

    Join us for a two-part programme presenting the work of experimental filmmaker Naomi Uman.

    Known for her hand-processed 16mm experimental films, Naomi Uman’s kaleidoscopic practice blends feminist perspectives with an exploration of documentary form. Her tactile portrayals of everyday life, women's labour, and the layered dynamics of shared existence reveal a world in which multiple boundaries—geographical, cultural, temporal, and emotional—intertwine and blur. Every borderline is at once tangible, fabricated, invisible, and imagined. 

    Fechas: 

    Viernes, Febrero 20, 2026 - 19:00
    Viernes, Febrero 27, 2026 - 19:00

    Local: 

    Finch Community Cinema at Finch Cafe - London, Reino Unido

  • 20/20 Vision: Ash Wednesday

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    Als reuzen sterven (2022) © the artist(s)

    argos marks Ash Wednesday, the day after mardi gras, with a double bill on the Carnival season. Transmitted from generation to generation and repurposed through time, its folkloric traditions have become an integral part of the legacies that shape us. Jan Vromman weaves together three generations of his family’s involvement in the local processions and parades, while Tine Guns directs our attention to the use of masks and costumes as a strategy for subversion.

    Fechas: 

    Miércoles, Febrero 18, 2026 - 18:00

    Local: 

    argos centre for audiovisual arts - Brussels, Bélgica

  • Robert Beavers: Program Four

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    In Person: Robert Beavers

    “Forgoes the geometric severity characteristic of works like his masterly ars poetic From the Notebook of… without any loss of precision, and generates a subsumed aura of rapture nearly as potent as his sublime city/​nature diptych The Stoas.”

    Nathan Lee, Village Voice, on Pitcher of Colored Light

    Fechas: 

    Jueves, Febrero 12, 2026 - 20:15

    Local: 

    Pacific Cinémathèque - Vancouver , Canadá

  • Robert Beavers: Program Three

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    In Person: Robert Beavers

    “The Ground is not to be missed … [The film] makes a parallel between filmmaking and stone cutting: both depend not only on chiselling pieces so that they fit together, but also in leaving space enough for something to enter or take flight.”

    Amy Taubin, Village Voice

    Fechas: 

    Jueves, Febrero 12, 2026 - 18:30

    Local: 

    Pacific Cinémathèque - Vancouver , Canadá

  • Robert Beavers: Program Two

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    In Person: Robert Beavers

    “A masterpiece … Elegant, beautiful, complex, and austere … A film about the transformation of life into art and the loveliness of Florentine sunlight flooding through a window.”

    Manohla Dargis, The New York Times, on From the Notebook of…

    Fechas: 

    Miércoles, Febrero 11, 2026 - 20:30

    Local: 

    Pacific Cinémathèque - Vancouver , Canadá

  • Robert Beavers: Program One

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    In Person: Robert Beavers

    “Early Monthly Segments [holds] the key to Beavers’s astounding achievement … Impeccably structural, his art is nonetheless suffused with a romantic passion that includes the man, the camera, and the world’s unending beauties—natural, built, and artistic.”

    Roberta Smith, The New York Times

    Fechas: 

    Miércoles, Febrero 11, 2026 - 18:30

    Local: 

    Pacific Cinémathèque - Vancouver , Canadá

  • Telemach Wiesinger's 12 ASTERISCI

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    For his film project “12 ASTERISCI” (named after the twelve stars on the European flag), Telemach Wiesinger visited numerous locations on the internal and external borders of the European Community and, with the help of his 16mm film camera, transformed them into seemingly otherworldly black-and-white scenes. Removed from current political debates, the sometimes archaic-looking artifacts reveal the anachronistic character of these ultimately arbitrary borders and demarcations.

    Fechas: 

    Sábado, Febrero 7, 2026 (Todo el día)
    Domingo, Febrero 22, 2026 (Todo el día)
    Lunes, Febrero 23, 2026 (Todo el día)

  • Tom, Tom, the Piper’s Son + Introduction by Mark Webber

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    Tom, Tom, the Piper’s Son + Introduction by Mark Webber
    Open City Documentary Festival
    Thu 12 Mar 2026, 18:30
    Barbican Cinema 2

    Ken Jacobs’ 1969 structural film classic created from found footage, including the 1905 original, is a masterful investigation of perception itself.

    As a prologue to the retrospective Seeing Through Film: Ken and Flo Jacobs, this film includes the 1905 original from Billy Bitzer (D. W. Griffith’s cinematographer).

    Fechas: 

    Jueves, Marzo 12, 2026 - 18:30

    Local: 

    Barbican Cinema - London, Reino Unido

  • Screening 'Ascent’ by Fiona Tan at 'Le Polygone Étoilé' / Marseille

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    Jocelyne Moreau, artist-in-residence at the LM studio in Hyères, presents a program of Essay Films / Poetry Films: Mathilde (8 min 48 sec, 2023) by Jocelyne Moreau and Ascent (1 hr 20 min, 2016) by Fiona Tan.

    Fechas: 

    Viernes, Marzo 27, 2026 - 19:30

    Local: 

    Le Polygone Étoilé - Marseille, Francia

  • The Film-Makers' Cooperative's 65th Anniversary Gala Benefit

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    IN LESS THAN TWO WEEKS, on Friday, February 13th at 7pm, The Film-Makers' Cooperative will celebrate its 65th anniversary at Judson Memorial Church (55 Washington Square S., New York, NY)!

    TICKETS ARE GOING FAST & CAPACITY IS LIMITED: tinyurl.com/coopgala65.

    We will honor Nan Goldin, Joan Jonas, Lynne Sachs, MM Serra, John Waters, and The Jack Smith Archive at Gladstone, and pay tribute to Ken and Flo Jacobs.

    Fechas: 

    Viernes, Febrero 13, 2026 - 19:00

    Local: 

    Judson Memorial Church - Nueva York, Estados Unidos

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