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Taking photos and making films are two ways of touching people. People have become the main subject of my collections. Collecting is much like an act of faith. It is a creative act, a chance to discover oneself, while at the same time participating in other's passions.
My photographs -and my films- seek out human contact, and they find it.
This book is about margins and marginality in the art world as sources for critical engagements in the studio. It builds on the pioneering work of critical theorist and artist Michael Betancourt, who has used glitches as an integral part of his art since the early 1990s. This book presents his thinking about his own work linking theory and practice in a larger context of conceptual and theoretical concerns that are neither a statement of intentions, nor merely a subjective series of claims about past accomplishments.
The Exploding Cinema is a collective of artists that produce what can be described as a hybrid fusion of projection, performance and social space. It began in South London in late 1991.
Experiments In Cinema 13.6 DVD fundraising collection (8 DVDs) featuring all the films from the 2018 experimental film festival!
EIC v13.6
The Black Material Edition
Disc 1
Juxtaposing archival footage spanning 35 years, as well as rare film excerpts and vintage and contemporary interviews with Brakhage, his friends, family, colleagues and critics, BRAKHAGE is the perfect complement to the Criterion Collection’s BY BRAKHAGE
In the latter half of the 20th Century, Raymond Rohauer was one of the nation's foremost proponents of experimental cinema. Programming diverse films at the Coronet Theatre in Los Angeles, and making the films in his personal archive available for commercial distribution, he helped preserve and promote avant-garde cinema.
This two-DVD collection assembles some of the most influential and eclectic short films in the Rohauer Collection, including works by Man Ray, Hans Richter, Marcel Duchamp, Watson & Webber, Fernand Léger, Joris Ivens, Dimitri Kirsanoff, Jean Epstein, and Orson Welles.
Aiming at a long-overdue reappraisal of Dore O.’s avant-garde film practice, this publication honors the work and legacy of Dore O., one of Germany’s most pioneering experimental filmmakers.
The fact that Siegfried Fruhauf’s films have a certain hypnotic effect cannot be denied. Battles of material take place in them, they contain reflections and illusions, soundtracks filled with noise and visual interference signals run riot; at the same time all the structural experiments the filmmaker risks never rigidify in the merely theoretical. Fruhauf’s cinema is extremely atmospheric and decidedly non-academic. On the contrary, it presents itself as being radically undogmatic, alternating between abstraction and representation, between punk and classicism.
Suzan Pitt’s work is like a dream. Things exist out of proportion, shapes shift, characters emerge and then disappear. But like any dream, they also exist with a backbone of reality, and in every way celebrate the things that make life such a mixed bag of joy and sorrow. They are amazing works of art, and for any fan of animation or unique cinematic experiences, they are not to be missed. -Steven Snyder - TimeOut
Fourteen films from Stephen Dwoskin, one of the most emotionally intense and underexposed filmmakers in British film. Includes Take Me, Dirty, Girl, Dad, Grandpere'pear, Dear Frances (in memoriam), Pain Is..., Intoxicated By My Illness, Tod Und Teufel, Face Anthea, Behindert, Outside In, Trying To Kiss The Moon and Lost Dreams.
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