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Film as a Subversive Art, del curador y crítico de cine Amos Vogel. Originalmente publicada en 1974, se trata de una obra fundamental en la historia del cine, donde el autor lleva a cabo una revisión histórica del séptimo arte a la luz del concepto de subversión.
This (Region One / NTSC) DVD features ten videos (1983-2006) which filter a lexicon of recurring themes through a spectrum of movie motifs and narrative strategies.
About thirty shots, with rarely a spoken word. But this wouldn\'t be worth mentioning if Deux Fois were not the film it is: one of the strongest ... yet, at the same time, most enigmatic works ever seen.
Uncollected Texts draws together a number of Carolee Schneemann’s earliest writings—many exceedingly rare and several that are published here for the first time—ranging from letters to the editor, dream journals, and film criticism, to satirical poems, detailed discussions of her art, and pointed feminist critiques. Edited by Branden W. Joseph, the book includes 30 texts by Carolee Schneemann written between 1956 and 1981, as well as an introduction by Joseph.
Aka Rameau\'s Nephew by Diderot (Thanx to Dennis Young) By Wilma Schoen. A monumental work spanning painting, sculpture, video, film, photography, holography, drawing, publishing and music that invites us to experience, question and contemplate its representation.
2009 Library of Congress National Film Registry inductee and 1989 Sundance winner by Pat O'Neill. Includes the extra track Easyout.
Published to coincide with the Pompidou Centre\'s major Dada exhibition. Features Rhythmus 21 by Hans Richter, Symphonie Diagonale by Viking Eggeling, La Retour a la Raison by Man Ray, Entr\'acte by René Clair and Francis Picabia, Le Ballet Mecanique by F
DVD with a documentary by Chuck Smith about the life and work of the artist Barbara Rubin with 2 bonus documentaries
Smith's doc shows how a young woman changed the culture by influencing Warhol, Dylan, Ginsberg, and Reed... It's a hell of a ride!
-Now Magazine
These six reels of my film diaries come from the years 1949-1963. They begin with my arrival in New York in November 1949. The first and second reels deal with my life as a Young Poet and a Displaced Person in Brooklyn. It shows the Lithuanian immigrant community, their attempts to adapt themselves to a new land and their tragic efforts to regain independence for their native country. It shows my own frustrations and anxieties and the decision to leave Brooklyn and move to Manhattan.
The cinema of Hollywood is a cinema of exclusion, reduction and denial, a cinema of repression. There is always something behind that which is being represented, which was not represented. And it is exactly that that is most interesting to consider.
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