Dziga Vertov: The Man with the Movie Camera and Other Newly-Restored Works
"I am an eye. A mechanical eye. I am the machine that reveals the world to you as only the machine can see it.” - Dziga Vertov ("Kino-Eye")
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"I am an eye. A mechanical eye. I am the machine that reveals the world to you as only the machine can see it.” - Dziga Vertov ("Kino-Eye")
The first in a series of DVDs dedicated to the Spanish filmmaker Adolpho Arrietta, with his first three films, El crimen de la pirindola (1965), La imitación del ángel (1966) and Le jouet criminel (1969)
Selections from the 50th Ann Arbor Film Festival - 2012
Includes films by Hope Tucker, Ben Russell, Jillian Mayer & Lucas Leyva, Stephen Irwin, Hayoun Kwon, Sylvia Schedelbauer, Minna Parkinnen, Jonathan Schwartz, Suzan Pitt, James Sansing, Laura Heit and Jennifer Reeves.
Uncollected Texts draws together a number of Carolee Schneemann’s earliest writings—many exceedingly rare and several that are published here for the first time—ranging from letters to the editor, dream journals, and film criticism, to satirical poems, detailed discussions of her art, and pointed feminist critiques. Edited by Branden W. Joseph, the book includes 30 texts by Carolee Schneemann written between 1956 and 1981, as well as an introduction by Joseph.
A limited edition retrospective DVD of 23 landmark films commissioned through the groundbreaking Channel 4/Arts Council England AnimateTV project, a unique collaboration supporting innovative and risk-taking experiments in animation.
This (Region One / NTSC) DVD features ten videos (1983-2006) which filter a lexicon of recurring themes through a spectrum of movie motifs and narrative strategies.
Made mostly with a phone camera, these films form a collection of short compressed works that are noirish and aphoristic; part video-diary, part cinephilic, they work like a video jukebox, or a vinyl album. Set in several cities and landscapes, these film
Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination, and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson.
Telling Invents Told is the first collection of writings by artist and filmmaker Lis Rhodes. It includes the influential essay Whose History? alongside texts from works such as Light Reading, Pictures on Pink Paper and A Cold Draft, together with new and previously unpublished materials. Since the 1970s, Rhodes has been making radical and experimental work that challenges hegemonic narratives and the power structures of language.
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