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Selections from the 50th Ann Arbor Film Festival - 2012
Includes films by Hope Tucker, Ben Russell, Jillian Mayer & Lucas Leyva, Stephen Irwin, Hayoun Kwon, Sylvia Schedelbauer, Minna Parkinnen, Jonathan Schwartz, Suzan Pitt, James Sansing, Laura Heit and Jennifer Reeves.
\"This film splendidly develops the main traits of Brakhage‚\' s films: no hero, visual sensuality, fluidity of movement and montage, a passion for color.\"
Dominic Angerame (b. Albany, New York, USA, 1949) is an American experimental filmmaker who has directed more than 35 films since 1969, and has presented films in film festivals worldwide. In 2006, Angerame presented his films Pixiescope, Waifen Maiden, Consume, and Anaconda Targets at the Havana Film Festival, re-opening the festival to experimental cinema.
A series of four films - Cinematographic painting by compounds, mergers of different cinematic levels in multiple exposures. Structure of the image from color dots and the image resolution in dots of color, building the image from image surfaces and plana
Berlin-born Hans Richter - Dadaist, painter, film theorist and filmmaker - was for four decades one of the most influential members of the cinematic avant-garde. Richter assembled some of the century's liveliest artists as co-creators of Dreams That Mon
The Emergence of Video Processing Tools presents stories of the development of early video tools and systems designed and built by artists and technologists during the late 1960s and ’70s. Split over two volumes, the contributors examine the intersection of art and science and look at collaborations among inventors, designers, and artists trying to create new tools to capture and manipulate images in revolutionary ways. The contributors include “video pioneers,” who have been active since the emergence of the aesthetic, and technologists, who continue to design, build, and hack media tools. The book also looks at contemporary toolmakers and the relationship between these new tools and the past. Video and media production is a growing area of interest in art and this collection will be an indispensable guide to its origins and its future.
About thirty shots, with rarely a spoken word. But this wouldn\'t be worth mentioning if Deux Fois were not the film it is: one of the strongest ... yet, at the same time, most enigmatic works ever seen.
Selected Works compiles remastered versions of the more purely visual material
Lis Rhodes has been at the forefront of British experimental filmmaking since the early 1970s. She studied at the North East London Polytechnic and the Royal College of Art. A strong formal aesthetic has been developed in her films, reflecting her involveLis Rhodes has been at the forefront of British experimental filmmaking since the early 1970s. She studied at the North East London Polytechnic and the Royal College of Art. A strong formal aesthetic has been developed in her films, reflecting her involvement with the debates and practice which emerged from the London Filmmakers' Co-operative, where she was Cinema Curator 1975-6. Early 'expanded' works such as Light Music (1975) fused performance and multi-screen projection with an exploration of the visual qualities of sound. Her analysis of broader political and social questions can be traced to her later films, which combine formal rigour with a passionate critique of issues from nuclear power to domestic violence. As an active campaigner for women's rights, Rhodes was a founder member of Circles, the first women's artist film and video (1979) and was an Arts Advisor to the Greater London Council between 1982 and 1985. She lives and works in London and teaches at Slade School of Fine Art, University College, London.
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