Screenings

  • DIM Cinema: Peter Hutton, Near & Far (Program 1)

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    DIM Cinema pays tribute to Peter Hutton, the influential American filmmaker and educator who died last June. Cahiers du cinéma described his body of work as radical and singular: “A sort of primitive documentary, silent, which celebrates the beauty of the world without forgetting to observe people, the conditions they live and work under.”

    Dates: 

    Wednesday, April 5, 2017 - 19:30

    Venue: 

    DIM Cinema - Vancouver, Canada
  • Turbidus Film #20: Luke Fowler and John Chantler

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    FYLKINGEN presents TURBIDUS FILM #20: LUKE FOWLER (film/sound) and JOHN CHANTLER (sound) in person.

    The British artist, filmmaker and musician Luke Fowler has over the past 15 years, developed a practice that is, at the same time, singular and collaborative, poetic and political, structural and documentary, archival and deeply human. With an emphasis on communities of people, outward thinkers and the history of the left, his 16mm films tell the stories of alternative movements in Britain, from psychiatry to photography to music to education.

    Dates: 

    Friday, April 7, 2017 - 19:00 to Saturday, April 8, 2017 - 18:55

    Venue: 

    Fylkingen - Stockholm, Sweden
  • Edge of Frame: Signal to Noise

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    Edge of Frame started life as a blog on experimental animation written by artist and curator Edwin Rostron, and last year grew into a boundary-hopping weekender at the Whitechapel Gallery and Close-Up Cinema. We asked Rostron to put together a special Optical Sound-inspired programme of shorts, and he’s delivered the goods with a selection of extraordinary experiments exploring sound and music in various interesting ways.

    Dates: 

    Friday, April 7, 2017 - 18:00 to Saturday, April 8, 2017 - 17:55

    Venue: 

    Birmingham Midland Institute - Birmingham, United Kingdom
  • VISIONS | 30.03.17 + 31.03.17 | Fern Silva: Recent 16mm Films + Dialogues

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    VISIONS, in collaboration with la lumière collective, presents:

    30.03.17 | FERN SILVA : RECENT 16MM FILMS

    31.03.17 | DIALOGUES : INSPIRATIONS AND INTERESTS CURATED BY FERN SILVA

    [with works by Peggy Ahwesh, MM Serra, Jennifer Reeves, George Kuchar, Betzy Bromberg and more!]

    Dates: 

    Thursday, March 30, 2017 - 20:00 to Friday, March 31, 2017 - 19:55
    Friday, March 31, 2017 - 20:00 to Saturday, April 1, 2017 - 19:55

    Venue: 

    la lumière collective - Montréal, Canada
  • Directors Lounge Screening: Ana Bilankov - Night Riders

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    Directors Lounge Screening
    Ana Bilankov: Night Riders

    Ana Bilankov, Berlin based artist with Croatian background, creates videos connected with peculiar places in different European cities, Moscow and New York, connected with the geographies and stories of those places, mostly interwoven with her own biography or experience. Her short films often combine a brittle visual poetry with rarified narratives on the soundtrack.

    Dates: 

    Thursday, March 30, 2017 - 21:00 to Friday, March 31, 2017 - 20:55

    Venue: 

    Z-Bar, Berlin - Berlin, Germany
  • Close-Up: William Raban. Making Films Politically?

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    "The problem is not to make political films, but to make films politically." – Jean-Luc Godard 

    Close Up and Carroll/Fletcher are delighted to present a programme of films by William Raban. Artist filmmaker William Raban was a central figure of the London Film-makers' Co-operative. Initially known for his landscape and expanded cinema works of the 1970s, Raban's films from the 1990s onwards look at the island of Britain and its people, in the context of the global economy and the effects of urban change.

    Dates: 

    Tuesday, March 28, 2017 - 20:00 to Wednesday, March 29, 2017 - 19:55

    Venue: 

    Close-Up Cinema - London, United Kingdom
  • Cineinfinito #13: Daniel Barnett

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    "Daniel Barnett is a leading experimental filmmaker who develops complex metaphors in his films out of rephotography and other post-production techniques. [...] White Heart is his longest and most ambitious work. 'Barnett's film consists of many disparate images, chosen for their strong sensual qualities, coupled with a labyrinthine and equally sensual soundtrack. After establishing the basic images, Barnett begins to interweave them, exaggerating certain qualities (color, texture) during printing.

    Dates: 

    Friday, April 7, 2017 - 20:30

    Venue: 

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