Screenings

  • Xcèntric: Reductions of memory, pigments of life. Rolls: 1971, by Robert Huot

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    Defined by Scott MacDonald as powerful and unusual in their emotional effects, Rolls: 1971 invites the viewer to participate in the always ongoing process of making the most authentic and satisfying human life. It is the most effective culmination of Robert Huot's intent of creating an interesting and beautiful film without being inaccessible.

    Dates: 

    Sunday, February 21, 2016 - 18:30

    Venue: 

  • OFFoff Cinema: Chick Strand

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    During the retrospective on Agnes Varda in Cinematek Brussels, Offoff introduces Varda's obscure transatlantic counterpart: Chick Strand, along with Bruce Baille co-founder of the legendary Canyon Cinema, but above all,  film maker. She was a pioneer in mixing experimental film with documentary cinema and each time she managed to confirm the flexibility of the human mind. 

    We present an overview of her oeuvre, both the etnographic experiments and the more lyrical works. Ranging from her early films, such as Anselmo, a Mexican child she repeatedly portrayed, to Soft Fiction, recently declared the peak of cinema from the late 70's by Tate. Here it is the feminine sensuality that is confirmed in its obstinance.

    Dates: 

    Monday, February 29, 2016 - 20:00 to Tuesday, March 1, 2016 - 19:55

    Venue: 

    OFFoff Cinema - Ghent, Belgium
  • Co-production L'Etna + Le Non_Jazz : FLORIS VANHOOF / BED DATARIES

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    Co-production L'Etna + Le Non_Jazz (Paris)

    on the program /

    FLORIS VANHOOF / be
    BED DATARIES / us

    sound + vision

    ========================

    [donation-based entry, BYOB]

    l'Etna
    71, rue Robespierre
    93100 Montreuil, France
    M°Robespierre
    [after the blue door, cross the courtyard, first door on the right under the roof, second floor left]

    ========================

    FLORIS VANHOOF / be

    Dates: 

    Wednesday, February 24, 2016 - 20:30

    Venue: 

    L'Etna - Montreuil, France
  • MuMaBoX #45: Mirror images

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    In an experimental approach to film, the mirror as a reflective device is used more in its concrete dimension that in the metaphorical: the mirror surface denounces the cinematographic transparency, the famous "window to the world" dear to André Bazin and manifests its power of illusion, infinitely poetic.

    This programme will give rise to various speculations about the self-portrait, memory, landscape, but also on the presence of mirrors in Hollywood movies that reveals a double or the narcissistic staging full of doubts and anguish.

    Dates: 

    Wednesday, February 24, 2016 - 18:00 to Thursday, February 25, 2016 - 17:55

    Venue: 

  • Xcèntric: Noise and soundscape in structural film

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    Sound in cinema is a key element to understanding the authors' artistic conception. This is a session specially designed to learn a bit more about the different roles of the soundtrack in the structural film.

    The filmmakers who practise the technical and aesthetic considerations of structural film work with sound from disruptive stances. Graphic manipulations on the optical soundtrack of the celluloid and alterations to ambient sound offer acoustic dialogues about noise and soundscape.

    Dates: 

    Thursday, February 18, 2016 - 20:00 to Friday, February 19, 2016 - 19:55

    Venue: 

  • 25 FPS Festival 2016

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    25 FPS Festival is inviting new films to apply for the International Competition programme of the 2016 edition from 29th of September to 2nd of October.

    We're searching for innovative explorations of cinematic language, narration and the medium itself. Film types and genres that cross and broaden the notion of film as art. Expressive original concepts, progresses in terms of theme, idea and aesthetics, as well as works that perpetuate the tradition of avant-garde and experimental film.

    Dates: 

    Tuesday, May 31, 2016 (All day)
  • OFFoff Cinema: Auguste Orts

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    In 2006 Herman Asselberghs, Sven Augustijnen, Manon de Boer and Anouk De Clerq joined forces and founded Auguste Orts. What started as a reaction to the lack of a production and distribution platform which served their works sufficiently, soon grew to be a leading collective whose works have earned international acclaim. Not only the individual works of the artists will be highlighted in this show, but also the concept of 'artist-run-production/distribution center' will be discussed extensively. 

    Dates: 

    Monday, February 22, 2016 - 20:00 to Tuesday, February 23, 2016 - 19:55

    Venue: 

    OFFoff Cinema - Ghent, Belgium
  • Carving the Ball of Sound: Film and Video with Leighton Pierce

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    For more than 30 years, Leighton Pierce has explored memory and perception in a series of stunningly shot, impressionistic short films and videos that exploit cinematic space and time and expand the interplay between sound and image. Pierce executes all aspects of his works himself including the conception, cinematography, editing, and sound design and composition. Tonight he will screen old and new works, including Glass (1998), Wood (2000), White Ash (2014), and new works in progress.

    Dates: 

    Friday, February 19, 2016 - 19:00 to Saturday, February 20, 2016 - 18:55

    Venue: 

    Logan Center for the Arts - Chicago, United States
  • Voicing On Film

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    OnFilm is excited to present the Spring 2016 program “Voicing,” featuring the works of Chantal Akerman, Mounira Al Solh, Jayce Salloum and Mónica Savirón. Formally, these works are organized around the possibilities of spoken or textual narration enlivening an otherwise minimal soundtrack. However together, they elaborate an idiosyncratic critique of the authority of the voiceover as material and political conquest, problematizing the narration of identity (or imperatives to do so) in politically fraught art markets, and restating the performative faculties of the camera in playfully inventive and wildly affecting ways.

    Dates: 

    Thursday, February 18, 2016 - 19:30 to Friday, February 19, 2016 - 20:55

    Venue: 

    Hoyt Auditorium - Rochester, United States
  • Day Is Done

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    MY HOUSE curator, Tobin Gibson, introduces this special event — only the third time Mike Kelley's "fractured feature-length musical" has been screened in a cinema. Extending the artist's subversive, multifaceted examination of trauma, abuse and repressed memories, refracted through the prism of personal and mass-cultural experience, Day Is Done is composed of live-action recreations of high-school yearbook photographs of extracurricular activities, or, as the late artist himself termed them, "socially accepted rituals of deviance." These carnivalesque disruptions of the normal school schedule, in the form of pageants, recitals, variety shows, hazings, slave auctions and dress-up days, mirror events in the broader cultural arena.

    Dates: 

    Wednesday, February 10, 2016 - 19:00 to Thursday, February 11, 2016 - 18:55

    Venue: 

    DIM Cinema - Vancouver, Canada

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