Screenings

  • Up to the Sky: 4 Films by Barbara Meter

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    Barbara Meter is a pivotal figure in Dutch experimental cinema. In the 70's she was the driving force behind the Electric Cinema in Amsterdam, where numerous British and American filmmakers screened their work alongside their Dutch colleagues. Meter has a long filmography including experimental films, documentaries and fiction. She describes her experimental films as "lyrical structuralist". Curated by Karel Doing, the programme includes four films in which Meter combines documentary aspects with a more formal approach. Her latest film Up to the Sky and Much Much More will be screened in the UK for the first time. She will be present during the screening and participate in a short Q&A afterwards.  

    Programme:

    Dates: 

    Friday, February 19, 2016 - 20:00 to Saturday, February 20, 2016 - 19:55

    Venue: 

    Close-Up Cinema - London, Reino Unido
  • Xcèntric: Barry Gerson. Light sculptures

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    In the seventies Barry Gerson became one of the great filmmakers of US experimental film with his hypnotic pieces about “the minimal, free forms of nature […] his content is magic and deals with the essence of cinema” (Jonas Mekas). But in 1983 he stopped filming for over two decades, and his films have hardly been shown since. To celebrate his return to filming, this retrospective session is an extraordinary opportunity to see an essential part of his best work, and includes two of his new films. The cinema of Gerson—who started out designing light sculptures in his bedroom at the age of three—has joined the tradition of painters such as Malevich, Mondrian, Kandinsky and Rothko, or the poetic methods of Ozu. Films that observe with minimalist delicacy the appearance of the world, to reveal, through light, interior states, the mysteries of dream, and the hidden realities “where everything is possible”.

    Dates: 

    Thursday, January 21, 2016 - 20:00 to Friday, January 22, 2016 - 19:55

    Venue: 

  • The 53rd Ann Arbor Film Festival Tour Day 2, 16mm Program

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    The Film and Media Studies Program and the Visual Studies Workshop welcome the Ann Arbor travelling film festival tour for the first time in Rochester with Program Director, David Dinnell in person. 

    The 16mm program includes 13 new films from Austria, the UK, Canada, and the United States including Things, the most recent work by Ben Rivers; The Peacock by Andrew Kim; Mark Toscano’s The Song Remains the Same; Accent Grave on Ananas by Vancouver artist Tamara Henderson (with sound by Dan Riley) and three works receiving the 53rd AAFF Best Cinematography Award - vindmøller by Margaret Rorison, A Symptom by Ben Balcom, and Blue Loop, July by Mike Gibisser. Other works include new films by Friedl vom Gröller, Mary Helena Clark, Robert Todd, Jennifer Reeves, Jonathan Schwartz, and Sarah Christman.

    Dates: 

    Friday, January 29, 2016 - 20:00 to Saturday, January 30, 2016 - 19:55

    Venue: 

    Visual Studies Workshop - Rochester, United States
  • The 53rd Ann Arbor Film Festival Tour Day 1, Digital Program

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    The Film and Media Studies Program and the Visual Studies Workshop welcome the Ann Arbor travelling film festival tour for the first time in Rochester with Program Director, David Dinnell in person. 

    The 16mm program includes 13 new films from Austria, the UK, Canada, and the United States including Things, the most recent work by Ben Rivers; The Peacock by Andrew Kim; Mark Toscano’s The Song Remains the Same; Accent Grave on Ananas by Vancouver artist Tamara Henderson (with sound by Dan Riley) and three works receiving the 53rd AAFF Best Cinematography Award - vindmøller by Margaret Rorison, A Symptom by Ben Balcom, and Blue Loop, July by Mike Gibisser. Other works include new films by Friedl vom Gröller, Mary Helena Clark, Robert Todd, Jennifer Reeves, Jonathan Schwartz, and Sarah Christman.

    Dates: 

    Thursday, January 28, 2016 - 18:00 to Friday, January 29, 2016 - 17:55

    Venue: 

    Hubbell Auditorium - Rochester, United States
  • DIM Cinema: The Nine Muses

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    DIM Cinema opens its 2016 season with Ghanaian-born British artist-filmmaker John Akomfrah’s epic film about the African diaspora to postwar Britain. Conceived as a gallery piece based on Homer’s Odyssey, this retelling of Telemachus’s search for his lost father, Odysseus, grew into a feature-length cinematic work structured as a song cycle, with each musical chapter named after one of the nine muses.  Mixing archival footage with original scenes shot in Alaska, and scripted from sound clips of established works of the (mainly) Western canon, the film summons up “a mood, rather than a story, that reflects on the immigrant experience and the violence of displacement with a majestic grace" (Jason Solomons, The Observer). “Striking ... Extends, complicates, and enriches the definition of documentary. Though lofty, The Nine Muses is never grandiose, taking as its subject the primal notion of what constitutes home” (Melissa Anderson, Artforum).

    Dates: 

    Wednesday, January 27, 2016 - 19:30

    Venue: 

    DIM Cinema - Vancouver, Canadá
  • VISIONS presents Lucie Lambert + Tao Gu

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    Lucie Lambert was born on the Côte-Nord where she spent her childhood between the river and the forest. She is particularly interested in documentary that confounds all rules and categories. Paysage sous le paupières, Avant le jour and Le père de Gracile, her three major films, form a trilogy that weaves together territory and the imaginary.

    GU Tao (China) was born in Wenchuan, in the Sichuan Province. From 2004 to 2007 he studied at the Mel Hoppenheim School of Cinema, Concordia University in Montreal. After going to Canada his cinematic work shifted towards experimental filmmaking. He also worked as editor for The Vanishing Spring Light (2011) by his fellow countryman Xun Yu.

    Dates: 

    Thursday, January 14, 2016 - 19:00 to Friday, January 15, 2016 - 18:55

    Venue: 

    Cinémathèque québécoise - Montréal, Canada
  • Xcèntric: Confessional films. Joe Gibbons

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    In June 2015, Joe Gibbons, filmmaker and former teacher at MIT, was sent to prison after being declared guilty of robbing a bank: his only weapon was the video camera he carried to document the robbery for an artwork in process. Joe Gibbons has devoted four decades to his cinema of provocation, taking his own life as an experimental laboratory in a comic, reflective mix of autobiography and fantasy, self-portrait and performance. His most celebrated work, Confessions of a Sociopath (chosen by Artforum and Film Comment as one of the best of the year) analyses his self-destructive tendencies in materials compiled over the last 30 years, and in Confidential Part 2 he confesses his regret for the way he shot his voyeuristic film Spying, using a super-8 camera.

    Dates: 

    Sunday, January 17, 2016 - 18:30

    Venue: 

  • Loop Collective 20th Anniversary Screening & Book Launch

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    The Loop Collective is pleased to celebrate our 20th anniversary this year with a series of events designed to highlight our collective's history and development. Since our inception in 1996 with four members, Loop has contributed a significant role to Toronto's experimental filmmaking community through many programming endeavours and touring events from our 30+ cumulative members over the course of the past two decades.
     
    We invite you to join us on Thursday February 4, 2016, at Innis Town Hall, for the launch of a newly self-published monograph, featuring essays by Kelly Egan, Izabella Pruska-Oldenhof, R. Bruce Elder, Kathryn Elder, and a chart by John Porter, alongside posters, photographs and artist pages. This limited edition publication will be available with our recent DVD, Selected Works by the Loop Collective, distributed via CFMDC and Re:Voir.

    Dates: 

    Thursday, January 14, 2016 (All day)
    Sunday, January 17, 2016 (All day)
    Thursday, January 21, 2016 (All day)
    Thursday, February 4, 2016 (All day)
  • A Matter of Visibility: International Avant-Garde and Artists’ Cinema

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    Introduced by guest curator Mónica Savirón.

    This program presents new experimental films and videos not yet shown in New York, in conversation with rarely seen works by avant-garde masters such as Lis Rhodes and Chantal Akerman. These artistic views have the ability to enhance our perception through symbolism, transformation, and a keen sense of creative freedom. By shifting cinematic, private, gendered, financial, and geographical priorities, what is usually absent becomes present. These works are meditations on the act of looking, visual poems in which imposed narratives get rejected or argued against. Words, forms, and depictions of any kind are broken apart to explore and expose the language of cinema. For these artists, making films is like “writing on burning paper” (Pier Paolo Pasolini, Heretical Empiricism, 1967).

    Dates: 

    Saturday, January 23, 2016 - 18:30

    Venue: 

    Museum of the Moving Image - New York, United States
  • Light Movement 10: Jayne Parker

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    "Jayne Parker's films, videos, photographs and installations reveal a central core of concerns that are explored in many ways. Her hallmark is the focussed gaze of the camera on the body and its actions, combined with editing that draws out inner rhythms from the shot to mould an unfamiliar sense of time. A running theme is the making of art and the production of selfhood, mirrored in the performance itself and in the formal shape of the film. By embracing such nonverbal arts as music and dance, meaning in the films is produced - and questioned - by the clash or fusion of images seen from changing viewpoints and angles." (A.L.Rees)

    Dates: 

    Saturday, January 2, 2016 - 20:00 to Sunday, January 3, 2016 - 19:55

    Venue: 

    SPEKTRUM - Berlin, Germany

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