On FRIDAY, APRIL 25th, at 7pm, Jennifer Reeves presents her feature film THE TIME WE KILLED at the Film-Makers' Cooperative (475 Park Avenue South, 6th Floor), followed by a Q&A moderated by Joshua Peinado (@joshuapeinado), and a screening of Reeves' short film FEAR OF BLUSHING.

THE TIME WE KILLED “...proves that 16mm is still a tool for poets.” –Bill Stamets, @chicagosuntimes

“Her observations blend into a lyrical swirl of sunny reverie, muted trauma, and inescapable reality” –@edhalter, @villagevoice

Body Prop is an avant-garde essay film and attack against the ontology of white imperialism. Made of mostly hand-processed super 8 film - the rejected pieces of film used in other pieces of The Numb Spiral. The piece, in five movements, takes on the subject of the Body as a prop, as a body politic, as a simulation, and as a necropolitical expense, creating a “Cadaver Decomposition Island” of discarded scraps of Super 8 and archival material reveal the shadow of US nihilism within the advanced stage of hyperreality.

Join us on Sunday, April 27, 2025, 7pm, at Counterpath, 7935 East 14th Ave. in Denver, for a screening of Body Prop, by M Woods.

A survey of recent work by Barbara Lattanzi will be screened on April 23 at Hallwalls, Buffalo NY.  All the videos share one desire - to be paintings. Pursuing that desire, their intensive processes generate novel spaces for visual and sonic exploration. In particular, the videos generate spaces between dimensions - interstitial to what we conventionally think of as three-dimensional space.  It is because these videos roam fractal between-nesses that they can be considered "grotesque". The videos are expressions of grotesque realism.