"Thus in a sense movement has two aspects. On one hand, that which happens between objects or parts; on the other hand that, which expresses the duration or the whole. The result is that duration, by changing qualitatively, is divided up in objects, and objects, by gaining depth, by losing their contours, are united in duration. We can therefore say that movement relates the objects of a closed system to open duration, and duration to the objects of the system which it forces to open up. Movement relates the objects between which it is established to the changing whole which it expresses, and vice versa. Through movement the whole is divided up into objects, and objects are re-united in the whole, and indeed between the two ‘the whole’ changes.” - Gilles Deleuze. The Movement-Image.

Program:

• Enregistrement. Ryszard Wasko (3’ 1972)
• Musical Stairs. Guy Sherwin (10’ 1977)
• Dripping Water. Joyce Wieland, Michael Snow (10’, 1969)
• Brimstone Line. Chris Kennedy (10’ 2013)
• Standard Time. Michael Snow (8:50’ 1967)

Curated by Júlia Caixal & Jorge Domingo.
Prints from Lightcone and CineDocs Paris.