Tags: Andy Warhol

Tagged content

Expanded Cinema - Fiftieth Anniversary Edition
Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category.
Rating:

Average: 3 (2 votes)
Category:
Books
Publisher:
Fordham University Press
MuMaBoX #53: With Andy Warhol

By Marcos Ortega on Thu, 02/02/2017 - 11:03

On February 22, 1987, Andy Warhol died at 58 years following a mere gall bladder operation. Thirty years after his death, Warhol remains a superstar of sales and exhibitions and his notoriety goes well beyond the world of art.
Dates:
Wednesday, February 8, 2017 - 18:00 to Thursday, February 9, 2017 - 17:55
Venue:
Musée d'art moderne André Malraux - Le Havre, France
Film im Underground. Von seinen Anfangen bis zum Unabhangigen Kino

Hein B. 1971. Film im Underground. Von seinen Anfangen bis zum Unabhangigen Kino. :239pp.
An Introduction to the American Underground Film
Renan S. 1967. An Introduction to the American Underground Film. :326pp.
Contents:

What is the underground film?

A history of the avant-garde/experimental/underground film in America

A gallery of film-makers

Stars of the underground films

The underground establishment

Expanded cinema.
Experimental Cinema: The Film Reader

Horak J-C, Mekas J, Rabinovitz L, Varda A, Suárez JAntonio, Ganguly S, Tartaglia J, Haug K, Wolf R, Chin D et al.. 2002. Experimental Cinema: The Film Reader. :356pp.
Contents:

Introduction: Toward a new history of the experimental cinema

Part one. Origins of the American avant-garde cinema, 1920-1959.
- The first American film avant-garde, 1919-1945 / Jan-Christopher Horak
- Notes on the new American cinema / Jonas Mekas
- The woman filmmaker in the New York avant-garde / Lauren Rabinovitz
- Women in the avant-garde: Germaine Dulac, Maya Deren, Agnès Varda, Chantal Akerman, and Trinh T. Minh-ha / Agnès Varda
The Avant-garde Film: A Reader of Theory and Criticism

Sitney P.A, Eisenstein S, Richter H, Epstein J, Dulac G, Artaud A, Cornell J, Deren M, Peterson S, Broughton J et al.. 1978. The Avant-garde Film: A Reader of Theory and Criticism. Anthology film archives. :295pp.
Contents:
Off off Art Cinema: 2x

By Anton Michels on Mon, 22/02/2016 - 16:15

During this presentation we show the legendary Outer and Inner Space by Andy Warhol in its original form, this means with two 16mm projectors and two screens. This epic work contains all the Warholian artistic elements: fame, the portrait, repetion, the reproduction of images... intertwined with Warhol's film work, which turns this film into a selfconscious performance, a homemade Warhol superstar that thus provides commentary on the star system itself. Edie Sedgwick sits next to a monitor that plays a video of her head, while she talks to herself.
Dates:
Monday, March 7, 2016 - 20:00 to Tuesday, March 8, 2016 - 19:55
Venue:
OFFoff Cinema - Ghent, Belgium
Underground New York
A rare behind-the-scenes view of the exploding New York “underground” in the late sixities, a turbulent time and place that was to change American culture forever. A German TV crew, led by journalist Gideon Bachmann, explores the epicenter of the sixties revolution in art, music, poetry and film and interviews the main players in the “New American Cinema,” that was born on the streets of New York.
Rating:

Average: 2.3 (7 votes)
Category:
DVD
Publisher:
Re:voir
Collectif Jeune Cinema: Heirs of Warhol

By Marcos Ortega on Tue, 15/12/2015 - 12:55

Carte blanche to Collectif Jeune Cinema as part of the Warhol Unlimited exhibition organized by the Musée d'Art moderne de la ville de Paris. Through some films of the Collectif Jeune Cinéma catalogue, this programmme will seek to establish links between films and paintings by Andy Warhol and the work of various filmmakers, from the explicit reference to Warhol works to the resumption of a device previously used by the artist.

Dates:
Friday, December 18, 2015 - 20:00 to Saturday, December 19, 2015 - 19:55
Venue:
Cinéma le Grand Action - Paris, Francia
Motion(less) Pictures: The Cinema of Stasis
Conducting the first comprehensive study of films that do not move, Justin Remes challenges the primacy of motion in cinema and tests the theoretical limits of film aesthetics and representation. Reading experimental films such as Andy Warhol's Empire (1964), the Fluxus work Disappearing Music for Face (1965), Michael Snow's So Is This (1982), and Derek Jarman's Blue (1993), he shows how motionless films defiantly showcase the static while collapsing the boundaries between cinema, photography, painting, and literature.

Rating:

Average: 3.8 (5 votes)
Category:
Books
Publisher:
Columbia University Press

Pages