With Underground – American Avant-Garde Film in the 1960s, Eye highlights the cinematic innovation of a generation of American filmmakers in the 1960s and adds a new chapter to the museum's long tradition of giving experimental film a prominent place, both in its collection and programming.

The future cannot be predicted, but that is no reason not to try experimental film: reflections on 16mm, video and in 3D about the experience of time, the play with expectations and the desire to “see in a new way” develop. 'No Future' is dedicated to various facets of the future from the 1920s to the present 2020s.

Program curated by Karola Gramann, Heide Schlüpmann and Björn Schmitt. As part of the 17th LICHTER Filmfest

This month DIM Cinema arranges a series of studio visits, beginning with Jem Cohen’s short portrait of the sculptor Ann Truitt (1921-2004) and ending with the ceremonial liberation of Jay DeFeo’s painting The White Rose, weighing over 2,300 pounds, from her second-floor studio in San Francisco. In between, and in their respective studios, Sarah Pucill plays with the blinds, Bruce Nauman walks in an exaggerated manner, and Ken Jacobs goes psychological-psychedelic.