The first collection of critical writing on the work of experimental filmmaker Hollis Frampton. Hollis Frampton (1936–1984) was one of the most important experimental filmmakers and theorists of his time, and in his navigation of artistic media and discourses, he anticipated the multimedia boundary blurring of today’s visual culture. Indeed, his photography continues to be exhibited, and a digital edition of his films was issued by the Criterion Collection. This book offers the first collection of critical writings on Frampton’s work.
“You cannot apply the principles of painting to a medium that is not painting.” (Paul Sharits).
Film has laws of its own, but along with the other arts in the period around 1960 it searched for certain “zero points” that didn't revolve around nothing, but the whole. This three-part film programme, curated by Alexander Horwath and Regina Schlagnitweit, includes works from the period between 1958 and 2021 – by Stephanie Barber, Yves-André Delubac, Hollis Frampton, Jorge Lorenzo, Ernst Schmidt Jr., Aldo Tambellini, Joyce Wieland and many more. It also offers rare insight into Gregory Markopoulos’s cinematic life’s work ENIAIOS (1947–91), presented by the film artist Robert Beavers.
On November 4, 2001, the first session of Xcèntric took place, a regular program of screenings dedicated to experimental cinema and artists unpublished in the city of Barcelona.Just 20 years later, we celebrat
