The films and videos of Christine Lucy Latimer defy their containers: they reveal the fragile systems underlying media, press the boundaries of image-making machines, and embrace the faults and frailties of vision. Almost all of Latimer’s work is silent, but nothing is truly silent: Latimer’s images recall the hums, tweets and mechanical moans of the technology with which she made them. Her work began long after most of the formats she employs had become obsolete.