Etiquetas: Black Zero

Contenido etiquetado

  • Richard Kerr - Crisis Collision Resolve

    Through the course of the 1980s, Canadian artist-filmmaker Richard Kerr had gradually moved towards an ‘accelerated cinema,’ an imagistic cinema of movement, montage and aggressive sound design. Kerr’s work in this ‘accelerated cinema’ became increasingly total at the same time that he became invested in the model of the ‘teacher-practitioner,’ collaborating directly with his students and working with simple, accessible tools.

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    Promedio: 2.3 (3 votos)

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  • Christine Lucy Latimer - Fragile Systems

    The films and videos of Christine Lucy Latimer defy their containers: they reveal the fragile systems underlying media, press the boundaries of image-making machines, and embrace the faults and frailties of vision. Almost all of Latimer’s work is silent, but nothing is truly silent: Latimer’s images recall the hums, tweets and mechanical moans of the technology with which she made them. Her work began long after most of the formats she employs had become obsolete.

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    Promedio: 2 (1 voto)

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  • Larry Kardish - Slow Run

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    Sin votos (todavía)

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  • Ad Hoc Fall Series 2024

    By on

    Ad Hoc will follow up with more information on individual screenings shortly. 

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  • Strange Codes

    Arthur Lipsett’s Strange Codes is the legendary found-footage filmmaker’s first and only independent film, made after his departure from the National Film Board of Canada. In a rented house in Toronto, Lipsett stages a series of mysterious rituals, appearing onscreen in the guise of various characters, among them, an archeologist, a soldier, a scientist, a magician, and the Monkey King of the Peking opera.

    Valoración: 

    Promedio: 3.6 (5 votos)

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  • Palace of Pleasure

    A long-neglected classic of Canadian experimental cinema, a triumph of erotic art, a film about which Gene Youngblood once wrote, “See it and you’ll see a window on the future: a Joyce-Burroughs assemblage of bold, poetic surreal visions of physical love in every conceivable form.

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    Promedio: 3.6 (5 votos)

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  • Everything Everywhere Again Alive

    Everything Everywhere Again Alive is a landmark work of Canadian underground cinema, a film diary with mystic and symbolic overtones. In the early 1970s, Toronto filmmaker Keith Lock moved to Buck Lake, where members of the Toronto art scene were undertaking an experiment in communal living. Lock filmed the achievements and daily rituals of his fellow communards, his camera bearing witness as a community assembled and dispersed.

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    Promedio: 4 (4 votos)

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interview videoart Nathaniel Dorsky Cineinfinito experimental film releases festival Xcèntric Pablo Marín Screening LAV Jonas Mekas Crater Lab call for entries Barbara Hammer DVD Blitz Sessions (S8) Mostra de Cine Periférico CCCB Stan Brakhage LAV screening performance Kenneth Anger Robert Beavers Phil Solomon
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