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Film Talks: 15 Conversations on Experimental Cinema
Film Talks is an edited collection of unique conversations on experimental cinema from a range of eminent and emerging film and video makers. The book represents a contemporary snapshot on the ways in which experimental cinema is perceived by its practitioners, often in relation to other art forms, moving image culture at large and wider social issues. It is an invaluable guide for those keen to immerse themselves in the insights and perspectives that only artists can offer.

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Fracto: Expanded Painlevé

By Marcos Ortega on Wed, 08/05/2019 - 04:21

The special programme “Expanded Painlevé”, conceived with guest curator Federico Rossin, combines the films of Jean Painlevé, surrealist poet of wildlife, with those by filmmakers from the American and European avant-garde who have pursued different modes of openness to the animal world.
Dates:
Saturday, May 25, 2019 - 19:45
Venue:
ACUD Berlin - Berlin , Alemania
Shoot Shoot Shoot, London Film-Makers' Co-operative - The First Decade

By Marcos Ortega on Mon, 11/03/2019 - 07:27

The London Film-Makers' Co-operative (LFMC) was founded in October 1966, and soon grew from its beginnings as a film-viewing group to become one of the major centres of a worldwide network of avant-garde film culture.
Dates:
Thursday, March 14, 2019 (All day) to Sunday, March 17, 2019 (All day)
Venue:
Austrian Film Museum - Vienna, Austria
Punto de Vista 2019

By Marcos Ortega on Fri, 08/03/2019 - 02:34

The 2019 edition of Punto de Vista, Navarra's International Documentary Film Festival (March 11-16, Pamplona) features this year a programme with a strong presence of avan-garde films. One of the main protagonists of this edition will be the figure od the recently passed away Jonathan Schwartz, with a a retrospective of his work and the publication of the book 'To light, to love, to time: Jonathan Schwartz'.
Dates:
Monday, March 11, 2019 (All day) to Saturday, March 16, 2019 (All day)
Cinema Parenthèse #3: Neil Henderson (in person) & Guy Sherwin

By Marcos Ortega on Mon, 18/06/2018 - 04:49

Neil Henderson’s work involves varied ways of mapping and exploring site, strata, and landscape. With static long takes, Henderson uses the landscape as a formal structure, reflecting on presence and place, repetitive variations of similar subjects/objects in a way that reminds us of Robert Smithsson and Richard Long's land-art, and photographic work by Ger Dekkers and Jan Dibbets among others. For example in "Tidal Island" (2014), Henderson returns to the site of a circular man-made island off the east coast of England.
Dates:
Saturday, June 23, 2018 - 19:00 to Sunday, June 24, 2018 - 18:55
Venue:
Cinema Galeries - Brussels, Bélgica
VISIONS | 15.03.18 | KELLY EGAN

By Benjamin Taylor on Mon, 05/03/2018 - 14:43

VISIONS, in collaboration with la lumière collective, presents:
KELLY EGAN : SYNTHETIC SOUNDS: FILM OUTSIDE THE FRAME

[Programme by Kelly Egan]

[Filmmaker Present | 16mm + HD Projection]

Programme:
Dates:
Thursday, March 15, 2018 - 20:00 to Friday, March 16, 2018 - 19:55
Venue:
la lumière collective - Montréal, Canadá
Close-Up: Guy Sherwin: Seven Films about Place

By Marcos Ortega on Thu, 04/01/2018 - 06:17

Close-Up Cinema is thrilled to host Guy Sherwin for a programme exploring differing approaches to place and film form.
Dates:
Monday, January 8, 2018 - 19:30
Venue:
Close-Up Cinema - London, United Kingdom
VisualcontainerTV: One Minute

By Marcos Ortega on Tue, 18/07/2017 - 05:35

VisualcontainerTV is proud to present the result of 9 years of research in the contemporary videoart field by the artist and curator Kerry Baldry. A variety of languages and visions collected in a kaleidoscopic selection about 39 videos.

Dates:
Wednesday, July 26, 2017 (All day) to Friday, September 1, 2017 (All day)
Resonancias Fílmicas. El sonido en el cine estructural (1960-1981)
Explorar los intersticios estéticos e ideológicos de la dimensión sonora en el cine experimental es el motivo principal de esta investigación. En estas páginas se estudia el sonido desde una posición analítica que enfatiza la idiosincrasia de los procesos de creación acústicos de los cineastas, las rupturas sónicas que formulan sus películas y los desafíos auditivos que suscitan a la audiencia.

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Experimental Film and Video: An Anthology

Poole S, Evans G, Littman S, Weinbren G, Gidal P, Welsby C, Hamlyn N, Parker J, Gawthrop R, McCall A et al.. 2006. Experimental Film and Video: An Anthology. :302pp.
Contents

Foreword by Sean Cubitt
Foreword by A.L. Rees
Introduction, by Jackie Hatfield

SECTION I Philosophies and Critical Histories of Avant-Garde Film and Current Practice

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