This special screening brings together distinct perspectives on how ritual and celebration reshape public space, memory, and identity in the UK. ‘New Territories (spectacle is king)’ by Rhea Storr (2025), ‘The Flora Faddy Furry Dance Day’ by Richard Philpott (1989), and ‘Syncopated Green’ by Arjuna Neuman (2022) recall personal and cultural histories and traditions as they explore Caribbean carnivals, a Cornish festival, and outdoor raves as sites of both joy and resistance.
Join us on Sat 12th February for the MIA Masterclass with Benjamin Cook, founder director of LUX and LUX Scotland. He will give a personal account of the history of LUX, the development of artists' moving image over the past 20 years and his thoughts on the future.
The latest episode of Into the Mothlight looks at Lux and how they support artists working in the moving image. In their chat with Lux founding Director Benjamin Cook they touch on the history of the organisation, the collection of works they are responsible for and the importance of being able to access some works online. They also discuss the 1-2-1 advice sessions that Lux delivers for artists and the Lux Critical Forum.
Slides by Annabel Nicolson and Girish Shambu’s manifesto For a New Cinephilia are used as starting points from which to construct Movement and Handling, Selected Works from the LUX Collection. Nicolson’s fascination with fragments of older films and the transience of construction suggests a link with Shambu’s new cinephilia – a transient place between online and real-life.
Dates:
Tuesday, November 12, 2019 - 18:00 to Wednesday, November 13, 2019 - 17:55
LUX & Club des Femmes present Evidentiary Bodies: Celebrating Barbara Hammer & Carolee Schneemann
Join LUX & Club des Femmes for a weekend of films, introductions, memories, a zine and an exhibition of ephemera and texts to celebrate the lives and work of feminist experimental artists Barbara Hammer and Carolee Schneemann.
Dates:
Saturday, July 13, 2019 (All day) to Sunday, July 14, 2019 (All day)
Writer Paul Clinton selects films from the LUX archive that reflect the ambivalence in Lionel Soukaz’s works towards sexual liberation movements and their internal norms. The programme examines how differently these ideas are articulated in a British and American context.
Dates:
Thursday, June 27, 2019 - 19:00 to Friday, June 28, 2019 - 18:55
From 3 to 7 May, in conjunction with LUX (London) and the Robert Flaherty Film Seminar (New York), the Oberhausen Film Festival will hold the Oberhausen Seminar for the fifth time during the 64th festival edition.
"From one flick of the mare’s tail came an unending stream of images out of which was crystallised the milky way." – David Larcher
In collaboration with LUX we’re thrilled to present a rare 16mm screening of David Larcher’s Mare’s Tail to mark the publication of Shoot Shoot Shoot: The First Decade of the London Film-Makers’ Co-operative 1966-76 – a compendium of texts, interviews, images and documents from the era. Mark Webber will introduce the film and copies of the book will be available to purchase before the screening.
Dates:
Sunday, January 15, 2017 - 19:00 to Monday, January 16, 2017 - 18:55
Frieze Video and LUX present Soft Floor, Hard Film: 50 Years of the London Film-Makers’ Co-op.
Formed on October 13th 1968, the London Film-Makers’ Co-operative (LFMC) grew out of a series of screenings in the basement of counter-culture book store, Better Books, on Charing Cross road to become a pioneering organisation incorporating a film workshop, cinema space and distribution office. Radical in its early ideals, the Co-op played a crucial role in establishing moving image as an art form in the UK and internationally.
Dates:
Thursday, October 13, 2016 - 19:00 to Friday, October 14, 2016 - 18:55
The 1960s and 1970s were a defining period for artists’ film and video, and the London Film-Makers’ Co-operative (LFMC) was one of the major international centres. Shoot Shoot Shoot documents the first decade of an artist-led organisation that pioneered the moving image as an art form in the UK, tracing its development from within London’s counterculture towards establishing its own identity within premises that uniquely incorporated a distribution office, cinema space and film workshop.
