Tags: Ernie Gehr

Ernie Gehr

Ernie Gehr (born 1941 in Milwaukee, Wisconsin) is an American experimental filmmaker closely associated with the Structural film movement of the 1970s. A self-taught artist, Gehr was inspired to begin making films in the 1960s after chancing upon a screening of a Stan Brakhage film.

Nationality: 

United States

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  • Esker Film Society presents Early Gehr

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    On Friday 2 October, Esker Film Society will be showing four early films by the legendary and elusive Ernie Gehr. The films of Gehr are mesmerizing in their simplicity. He often employs one or two formal conceits and holds on them for a period of time, conveying abstraction through duration of repetition. Showings of Gehr's work are incredibly rare, so please don’t miss this opportunity. Many thanks to the Austrian Filmmuseum for making this happen.

    Dates: 

    Friday, October 2, 2026 - 20:30

    Venue: 

    Achtergracht - Zwolle, Netherlands

  • Cinemateca Portuguesa: Os Filmes de Ernie Gehr

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    Cinemateca Portuguesa – Museu do Cinema will host a retrospective on the work of Ernie Gehr, in his presence. With thirty-one titles, “Os Filmes de Ernie Gehr” will be one of the most complete programs on his work to date. Ernie Gehr will be in Lisbon to present all the seven programs scheduled for Cinemateca’s retrospective that range a body of work from the end of the 60’s until the present day.

    Dates: 

    Tuesday, May 24, 2022 (All day) to Tuesday, May 31, 2022 (All day)

    Venue: 

    Cinemateca Portuguesa - Lisboa, Portugal

  • The Melancholy Lens: Loss and Mourning in American Avant-Garde Cinema

    The impact of significant loss has exerted a powerful influence on several American avant-garde filmmakers. The Melancholy Lens offers a detailed look at biographical and psychological factors discernible in the art of Maya Deren, Stan Brakhage, Gregory Markopoulos, Robert Beavers, and Ernie Gehr with an aim toward a greater understanding of their work.

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  • (S8) Mostra de Cine Periférico 2018: Lux Algebra

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    Time, structure, patterns. These are some of the principles that guide the 9th edition of (S8) Mostra Internacional de Cinema Periférico that, under the title Lux Algebra, invoke the alchemical film elements that manipulate time and its structures, in order to define a program that complete the trilogy dedicated to film creation the Mostra has been developing in these past editions, from the light with The New Impressionists (2016) to the material that supports the images with Objects and Appearances (2017), on the concepts of appropriation of found footage.

    Dates: 

    Friday, May 25, 2018 (All day) to Sunday, June 3, 2018 (All day)

  • Elías Querejeta Zine Eskola: P. Adams Sitney | A Half-Century of Showing Avant-garde Cinema

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    P. Adams Sitney | EQZE Elias Querejeta Zine Eskola © UnionDocs (Center for Documentary Art)

    P. Adams Sitney | A Half-Century of Showing Avant-garde Cinema | Conference and Screening with commentary

    Elías Querejeta Zine Eskola has suggested that the specialist should choose an ideal programme that might illustrate his 50 years as a programmer, curator, critic and spectator.

    Dates: 

    Tuesday, March 13, 2018 - 19:00 to Wednesday, March 14, 2018 - 18:55

    Venue: 

    Tabakalera - San Sebastián, Spain

  • Canyon Cinema Salon: Adele Horne

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    In Common (Adele Horne)

    Please join Canyon Cinema on the evening of Thursday, December 15th, 2016 at New Nothing Cinema for the next installment in our Salon series. We’re pleased to welcome filmmaker Adele Horne who will present an evening of films set in gardens and forests.

    “I am honored to come up with this dream program showing my films alongside work by Ernie Gehr and Naomi Uman, whose delicate and startling visions have changed the way I see the world.” – Adele Horne

    Dates: 

    Thursday, December 15, 2016 - 19:30

    Venue: 

    New Nothing Cinema - San Francisco, United States

  • Abstraction in Avant-garde Films

    Turim MCheryn.  1985.  Abstraction in Avant-garde Films. Studies in Cinema. 32:165pp.
    • Tracing the rupture of the avant-garde
    • Beyond reading: image, imagination, aesthetic economies at play
    • Sound: beyond distinctions between music, noise and speech, a new process a new ordering
    • Gradual transformations and subtle changes
    • Visual dynamics, referential tensions and conceptual film
    • Flickering light, pulsing traces
    • Scanning landscapes and collapsing architectures: shattering the grounding of the subject/eye

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