Microscope is very pleased to present Rewriting Film History, Reinventing Film Apparatus a program of 16mm films curated by Enrico Camporesi. The evening includes historical and more recent works by Jean-Michel Bouhours, Werner Nekes, David Wharry, Mary Helena Clark, Ernst Schimdt Jr., and Peter Miller that have rarely, if ever, screened in the US, and coming from the Light Cone Collection (Paris). Enrico Camporesi's description of the show follows: The notion of rewriting film history has constantly haunted moving image production. In the same way, challenging the basic cinematographic apparatus (the screen, the projection, etc.) has been a crucial issue in avant-garde filmmaking. The program seeks to explore the diverse strategies that have been adopted by experimental and avant-garde filmmakers in order to investigate such themes. The films are selected from the collection of Light Cone, the main European distributor for experimental and avant-garde films, and have been rarely (if ever) screened in the United States.