Close-Up: Star Spangled to Death
Sunday 28 April 2013, 13h
Bethnal Green Working Men's Club
42-44 Pollard Row London E2 6NB

- Star Spangled to Death (Ken Jacobs, 2004, 402 min, Colour & B/W, DP)

We are very excited to present a rare screening of Ken Jacobs's epic, six-and-half-hour "perverse reach for the intolerable" Star Spangled to Death.

"Star Spangled to Death is an epic film shot for hundreds of dollars! combining found-films with my own more-or-less staged filming, it pictures a stolen and dangerously sold-out America, allowing examples of popular culture to self-indict. Racial and religious insanity, monopolization of wealth and the purposeful dumbing down of citizens and addiction to war oppose a Beat playfulness.

A handful of artists costumed and performing unconvincingly appeal to audience imagination and understanding to complete the picture. Jack Smith's pre-Flaming Creatures performance as The Spirit Not Of Life But Of Living (the movie has raggedly cosmic pretensions), celebrating Suffering (rattled impoverished artist Jerry Sims) at the crux of sentient existence, is a visitation of the divine." – K.J.

Glorious Catastrophes
Wednesday, 31 October 2012, 20:30h
Beursschouwburg, A. Ortsstraat 20-28, 1000 Brussels
In collaboration with Courtisane

“A seriousness that fails”: this is how Susan Sontag described the essence of “camp”, this transient mixture of excess, fantasy, passion and naivety that has taken up a distinctive place in the cultural firmament since the 1960’s. Andy Warhol, who emphatically responded to this trend with his film Camp (1965), saw it differently: he was rather interested in the idea of failure itself, a failure that has to be taken seriously. After all the majority of Warhol’s films consists of observations of people in and as image, who in all their fallibility reveal a genuine authenticity and startling vulnerability. Two characters who play lead roles in Camp also take up a central place in this film programme: Paul Swan and Jack Smith. Warhol’s self-titled portrait of Swan, a dancer and actor who was once lauded as the “most beautiful man in the world” is an as ruthless as affectionate observation of a man who alternately falls in and out of the role of his lifetime. The area of tension between playing and being, playful fantasy and harsh reality, is also the arena of Jack Smith, the “enfant terrible” of the post war American underground scene. The early films Smith made in collaboration with his then confidant Ken Jacobs manifest a brutal beauty and audacious hedonism, unleashing a bewildering vitality not despite but because of their deliberate “trash” esthetics. Between innocence and nonsense, order and disorder, catastrophe and utopia: what the films in this programme have in common, are forms of expression that thrive in relation to their own failing.

With film works by Andy Warhol, Ken Jacobs, Jack Smith