Tags: Vivienne Dick

Vivienne Dick

Vivienne Dick is an Irish documentary and experimental filmmaker.

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Ireland

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  • Experimental Filmmaking and Punk

    Just as punk created a space for bands such as the Slits and Poly Styrene to challenge 1970s norms of femininity, through a transgressive, strident new female-ness, it also provoked experimental feminist film makers to initiate a parallel, lens-based challenge to patriarchal modes of film making.

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  • Alchemy Film & Moving Image Festival 2016

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    The 2016 Alchemy Film and Moving Image Festival programme has launched! Alchemy Film and Moving Image Festival is Scotland’s international festival of experimental film and artists’ moving image. Taking place from 14th to 17th April, the 4-day festival is held in the ex-industrial mill town of Hawick in the Scottish Borders region of Scotland. Alchemy is one of the UK’s only festivals dedicated to experimental and artists’ film, and draws an international crowd of filmmakers and fans of the genre.

    This year’s theme is the ‘Altered State’ including notions of transcendence, political transition and material change, mental or spiritual transformation, and excavations of contemporary counterculture. Peruse http://www.alchemyfilmfestival.org.uk/2016/2016-programme/ for the full details on this year’s leading features, installations, short films and everything else in-between.

    Dates: 

    Thursday, April 14, 2016 (All day) to Sunday, April 17, 2016 (All day)

  • Experimental Film Club: Films by Henry Hills

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    Henry Hills has been making short, intensely rhythmic experimental films since 1975. Primarily New York-based (where he frequently collaborates with composer John Zorn, choreographer Sally Silvers, and poet Charles Bernstein), he has been living half-time in Vienna since 2008, teaches at FAMU in Prague and was a Guggenheim Fellow in 2009.

    This programme, curated by seminal Irish filmmaker Vivienne Dick, represents many highlights from Hills’ career, and has been similarly presented in recent months at the Austrian Film Museum, REDCAT in L.A. and Media City in Windsor, Ontario. His work, which seeks abstraction within sharply focused naturalistic imagery and the ethereal within the mundane, promotes an active attentiveness through a relentlessly concentrated montage.

    Dates: 

    Tuesday, December 9, 2014 - 18:30

    Venue: 

    Irish Film Institute - Dublin, Ireland

  • Absences and (Im)possibilities. Traces of an experimental cinema in Ireland

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    Here After (Paddy Jolley, Rebecca Trost / Inger Lise Hansen, 2004)

    Absences and (Im)possibilities, is a programme of experimental Irish film curated by the Experimental Film Club (Aoife Desmond, Alan Lambert, Donal Foreman and Esperanza Collado), commissioned by Irish Film Institute International and supported by Culture Ireland. The programme features a selection of films from 1897 to 2013, chosen for their relation to the possibility of an Irish experimental cinema. This touring programme, in partnership with LUX, presents a selection of films from the full programme. Filmmakers include the Lumiére brothers, Samuel Beckett, Vivienne Dick, Maximillian Le Cain, Dónal Ó Céilleachair and Jesse Jones.

    Dates: 

    Sunday, November 23, 2014 - 15:00 to Monday, November 24, 2014 - 14:55

    Venue: 

    Hackney Picturehouse - London, United Kingdom

  • Vivienne Dick - Afterimages 4

    Born in Donegal, Ireland, Vivienne Dick moved to New York in 1975. There she became part of a group of filmmakers affiliated to the music and aesthetics known as 'No Wave'. Shot mainly on Super-8, Dick's films from this period feature many people and musiBorn in Donegal, Ireland, Vivienne Dick moved to New York in 1975. There she became part of a group of filmmakers affiliated to the music and aesthetics known as 'No Wave'. Shot mainly on Super-8, Dick's films from this period feature many people and musicians from the No Wave movement in New York, such as Lydia Lunch, Pat Place, James Chance and Ikue Mori. Invoking the spirit of '60s underground filmmakers, her work betrays an interest in individual transgression, urban street life, kitsch and pop culture. Multilayered and open-ended, the work is framed from a female perspective, with an overriding concern for social conditioning and sexual politics.

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  • Vivienne Dick - Between Truth and Fiction

    This DVD features five films by Vivienne Dick from various times in her life, and is meant as an introduction to the breadth of her work: Beauty Becomes the Beast is from her early suite of films made in the ‘No Wave’ scene of 1970s New York; Visibility MVivienne Dick (b. 1950, Ireland) is an internationally-celebrated film-maker and artist. A key figure of the ‘No Wave’ movement in New York in the late 1970s and early 1980s, she has gone on to develop an extraordinary body of work, which has been shown in cinemas, films festivals and art galleries around the world.

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    Average: 3.3 (3 votes)

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  • A Critical Cinema: Interviews with Independent Filmmakers

    Critical Cinema provides a collection of in-depth interviews with some of the most accomplished "critical" filmmakers. INTERVIEWEES: Hollis Frampton, Larry Gottheim, Robert Huot, Taka Iimura, Carolee Schneeman, Tom Chomont, J.J. Murphy, Beth B and Scott B, John Waters, Vivienne Dick, Bruce Conner, Robert Nelson, Babette Mangolte, George Kuchar, Diana Barrie, Manuel DeLanda, Morgan Fisher.

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  • New Lux DVDs coming in September

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    rewind-playLux has announced two new DVD releases for the third quarter.

    - In collabopration with Rewind | Artists’ Video in the 70s and 80s, REWIND + PLAY, An Anthology of Early British Video Art, a 3-DVD boxset featuring 24 works from the first decade of British videoart, including seminal pieces by Ian Breakwell, Catherine Elwes, David Hall, Tamara Krikorian, Mike Leggett and Stephen Partridge, among many others.

    - Co-published with The Crawford Gallery, Cork, Between Truth and Fiction: The Films of Vivienne Dick a book and DVD set presenting five works by the irish filmmaker that perfectly complements the existing Afterimages DVD. The publication will coincide with a programmed exhibition of Vivienne Dick’s work in Autumn 2009.

     

     

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