"By insisting on giving shape to the images, it would be necessary to start from the relationship between them and time. Without it there is no insistence possible. Repetition and search need time from which to expand.
[...] then, the life of the images would not consist so much in simple immobility or in the successive recovery of movement, but rather in a pause charged with tensions between the two. "

Curated by Biviana Chauchi , Nicole Remy & Sofía Tudela.

Massimo Bacigalupo (Rapallo, Genoa, Italy, 1947). His first works were produced for the local Amateur Film Club. For some years he helped organize the Rapallo International Amateur Film Festival. In 1966 his feature Quasi una tangente was awarded first prize in the Montecatini Film Festival. Bacigalupo, who was nineteen-year-old at the time, remembers that he was sitting in the audience with Lillian Gish and Anita Loos, who happened to be visiting Montecatini (Lillian was a friend of Massimo’s parents).

Martha Davis was born in London, Ontario in 1959. She recieved her Honours B.A. in Filmand Drama from the University of Toronto and began her career as a still photographer. She has made over twelve films and served on the boards of Directors of the Canadian Filmmakers’ Distribution Centre and The Funnel.

The enigmatic work of Swiis filmmaker and artist Klaus Lutz (1940-2009) lies somewhere between the meditations of a recluse and the fantasies of a utopia visionary. With reminiscences of Georges Méliès, Chaplin, the Russian avant-gardes and the Bauhaus, with a touch of futurism, his films are mysterious mental landscapes that tell almost mythological stories about a man who lives in a strange, solitary world.