In this session we are going to talk about an accident, a loss, and the accident of loss. A film will be developed in the room, and we do not know if it ever existed or if it was dematerialized before being. It may be that the celluloid takes over the room and expands beyond the projected image. Or, on the contrary, that all the ideas that come together in a room are condensed and visualized in the film of the film. Or, simply, that we do not see it but rather that it is told to us.

The time of the production of a work is traversed by a cloud of intuition, desires, inklings, finds, coincidences, expectation, recall and concepts. This selection of films refers to the thinking and desire that have come along with the latest production.

The third program in the monthly Confessional. Map of experimental voices section, curated by avant-garde filmmaker Pablo Marín, will be dedicated to a series of pieces made by Narcisa Hirsch, of a more personal nature.

Program:
- Andrea 1973 (1973, 9’)
Cine-letter from Narcisa Hirsch to her daughter, Andrea Hirsch, for her 21st birthday.

- Rafael, 1975 (1975, 11’)
Cine-letter from Narcisa Hirsch to Rafael Maino.