Yoko Ono's films occupy a central place in the history of American experimental cinema in the decade of the 1960s, a time of special creative effervescence, a time of formal, industrial, artistic and political challenges, and an era in which cinema began to be seen, without complexes, by many artists as a mean of expression and experimentation at the same level as that of performance, plastic arts or sound art.

Programme:
- First Comes Love (Su Fiedrich, 1991, 16mm, 22min)
- Sink or Swim (Su Fiedrich, 1990, 16mm, 48min)

Introduced by Elena Oroz, Ph.D., Professor at the Universidad Carlos III de Madrid.