Various elements characterize the port area: built structures, quays, basins, canals, locks… lifting and transport systems, cranes, gantries, trolleys, straddle carriers… container storage areas, tanks, and warehouses.

Encounter with Enrico Camporesi.

Enrico Camporesi is a postdoctoral fellow at the Terra Foundation at the National Institute of Art History in Paris. He has designed and organized film / video programs and exhibitions in France and internationally. He is the author of Futures de l'obsolescence, an essay on the restoration of the artist's film (to be published in 2018 by Mimesis).

These histories of masks begin with the nocturnal visit to the National Museum of Ethnology in the Netherlands filmed by Max de Haas in 1950 in Maskerage, impeccable on its form (first film score by Pierre Schaeffer), questionable on the content (colonialist hints) and ends with the sublime images shot in Mexico by Eisenstein during the Day of the Dead.

Between these two glances on the mask, some incarnations, simulacra and dissimulations, more or less serious games in which exhibition, grotesque and primitive violence are mixed.

Programme:

Although the films that make up this program show real worlds, they could be seen as many chapters of a dystopian fiction, visions of a planet in perdition: phantasmic, invasive, post-apocalyptic nature (Wayward Fronds); sacked nature (Le Pays dévasté); exiled humans, forced to seek refuge in areas of radio silence (Quiet Zone); a desolate landscape, the sinister and worrying ruins of an old radar station (Cobra Mist).