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Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world.
Three distinct locations are brought together in this film Three Studies in Geography (2011), which encompasses three previously separate films made over the last ten years. Each location presents a particular balance of land, sky and water. The first par
This 3-volume set brings together for the first time the complete film works of Jack Chambers (1931-78), largely regarded as one of Canada’s most important visual artists. With a well-established career as a painter, he embarked on a short-lived but significant career as a filmmaker in the mid-1960s. Chambers’ artistic practice was described as “perceptual realism” and stood in counterpoint to the dominant abstract styles of his day. He completed five films in his lifetime.
ETC: Experimental Television Center 1969-2009 is a compilation of groundbreaking electronic media work by 100 artists who have worked in the Center's Residency Program during the last 40 years.
The films of award-winning British artist Sarah Pucill have been celebrated at film festivals world-wide and shown in cinemas and galleries internationally. At the core of her practice is a concern with mortality and the materiality of the filmmaking process. Many of her earlier films take place within the confinements of domestic space, where the grounded reality of the house itself becomes a portal to a complex and multi-layered psychical realm. Her most recent film Phantom Rhapsody marks a new departure. In its stark use of black and white, the film examines the appearance and disappearance of the phantom as it relates to the partial visibility of lesbian sexuality in the canons of both cinema and art history. The DVD consists of seven selected films spanning the two decades of Pucill's practice.
Organized by Edson Barrus and yann beauvais, edited by .txt texto de cinema and produced by Rose Lima (Experimento Produções), the book Bcubico contains texts by Ana Lira, Anthony McCall, Edson Barrus, eRikm, Jean-Michel Bouhours, Keith Sanborn, Malcom Le Grice, Matthias Müller, Nathalie Magnan, Peggy Ahwesh, Recombo, Ricardo Ruiz, VALIE EXPORT, yann beauvais, Ж and other cultural actors involved in the project.
The first collection of critical writing on the work of experimental filmmaker Hollis Frampton. Hollis Frampton (1936–1984) was one of the most important experimental filmmakers and theorists of his time, and in his navigation of artistic media and discourses, he anticipated the multimedia boundary blurring of today’s visual culture. Indeed, his photography continues to be exhibited, and a digital edition of his films was issued by the Criterion Collection. This book offers the first collection of critical writings on Frampton’s work.
Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue.
Upon its release in 1991, TRIBULATION 99 became an instant counter-culture classic. Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate far-right conspiracy theory, combining c
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