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Heinz Emigholz künstlerische Arbeit erkundet den Grenzbereich zwischen Film und bildender Kunst. Sein frühes Filmwerk lieferte wichtige Impulse für die internationale Experimentalfilmbewegung der 1970er und 80er Jahre und gehört zu den wenigen experimente
“a blueprint for critical resistance and aesthetic defiance in the face of digital capitalism and a rising new age” — Laila Shereen Sakr/ VJ Um Amel
Fear of the ‘machine artist’ reflects a deep cultural anxiety about industrialization, shaped by unresolved conflicts over automation and its potential to supplant human artists. Automated machinery represents both a technical development and a social paradigm that redefines labor, authorship, and creativity itself.
Rüdiger Neumann, Filmemacher und Professor an der Hochschule für bildende Künste in Hamburg, hat mit seiner Lehrtätigkeit zwei Generationen von Filmemachern beeinflusst, die heute das aktuelle deutsche Kino mitbestimmen. Die HfbK war in den 1980er und 1990er Jahren die einzige experimentelle und politische Alternative zu den Filmschulen in München und Berlin. Rüdiger Neumanns kontroverses Donnerstagsseminar ist legendär. Auf dieser DVD werden erstmals die fünf wichtigsten Filme von Rüdiger Neumann veröffentlicht.
Originally a Nervous System work (presented live using a special film-projection contrivance that wife Flo and I would set up). The 1929 Laurel and Hardy short Berth Marks, filmed twice, with and without sound, is our glorious take-off point. In some ways
I wrote my Master's thesis on the teaching of film as an art form. From 1969 to 1980 I was able to put these ideas into practice while teaching filmmaking in the Art Department at Sonoma State University in northern California. Some of my students , whose
Richard “dr.” Baily and John Buchanan: experiments in spore presents three personal art films by Baily, a Hollywood computer graphics visionary (from Tron to Fight Club, Solaris and more), assisted by John Buchanan. It features xtacism (2005), aura (2007), and Baily's Nightwaves (1977), made at Cal Arts. aura was completed posthumously by John Buchanan. Music by Richard Baily.
"These pieces are meant to be environmental background "fill" intended to enhance the space that people inhabit, and not be the foreground element in anyone's awareness, like ambient music, you can check in on it, and leave it for awhile, and check into it again with a different level of focus and concentration, and then leave it again..." - Richard "dr" Baily
François Miron began makings films in 1982, working exclusively with emulsion (as in film NOT video) the body of his early work consist of several short experimental films, all created using a powerful film image manipulation technique that he has mastere
Using 16mm cameras, artist Ben Rivers documents the solitary existence of Jake, a man who lives in isolation in the middle of the forest in a remote part of Scotland. The film follows his unconventional life, capturing moments of profound beauty. Jake is seen in all seasons, surviving frugally, passing the time with strange projects, living the radical dream he had as a younger man, a dream he spent two years working at sea to realise.
Gracefully constructed, Two Years at Sea creates an intimate connection with an individual who would otherwise be a complete outsider to us.
Warsztat Formy Filmowej is a Polish-English publication edited by Marika Kuźmicz and Łukasz Ronduda.
The book is a compilation of the achievements of Warsztat Formy Filmowej, which was an avant-garde group operating at the Film School in Łódź (PWSFTviT im. L. Schillera) between 1970 and 1977.
A confrontation with the codes of narrative-representational cinema is one of Peter Tscherkassky´s constant concerns. If one attempts to distill a constant from his films, then this must surely be the oscillation between the abstract and the concrete, bet
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