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Craig \"Tribulation 99\" Baldwin follows intellectual property controversies across the contemporary arts scene. Playful and ironic, his cut-and-paste collage-essay surveys the prospects for an \"electronic folk culture\" in the midst of an increasingly c
Since 1950 I have been keeping a film diary. I have been walking around with my Bolex and reacting to the immediate reality: situations, friends, New York, seasons of the year. On some days I shot ten frames, on others ten seconds, still on others ten minutes. Or I shot nothing. When one writes diaries, it's a retrospective process: you sit down, you look back at your day, and you write it all down.
In this expanded edition of Cinéma Radical, first published in French in 2008, the artist Christian Lebrat reflects on a cinema that “follows its own rules and questions the very definition of the medium.”
2nd edition. English translation by Anna Doyle. To be published in May 2021
In the 1990s, James Benning’s films were characterized primarily by an ongoing investigation of the relationship between the image and the (spoken or written) word. This 2-disc set features the two key works representing the peak of this “text-image film” period. In Deseret Benning (by way of the New York Times) retells the history of America’s Mormon State Utah through spectacular black & white and color images. Art and landscape join as one in Benning’s following film Four Corners, which serves as both a tribute to the famous region in the USA where four states converge and a portrait of four very different artists.
Rüdiger Neumann, Filmemacher und Professor an der Hochschule für bildende Künste in Hamburg, hat mit seiner Lehrtätigkeit zwei Generationen von Filmemachern beeinflusst, die heute das aktuelle deutsche Kino mitbestimmen. Die HfbK war in den 1980er und 1990er Jahren die einzige experimentelle und politische Alternative zu den Filmschulen in München und Berlin. Rüdiger Neumanns kontroverses Donnerstagsseminar ist legendär. Auf dieser DVD werden erstmals die fünf wichtigsten Filme von Rüdiger Neumann veröffentlicht.
Become a master in the influential, diverse, and highly innovative field of experimental filmmaking. Harness the little-known techniques and subtle aesthetics required for this imagination-driven art form.
Richard “dr.” Baily and John Buchanan: experiments in spore presents three personal art films by Baily, a Hollywood computer graphics visionary (from Tron to Fight Club, Solaris and more), assisted by John Buchanan. It features xtacism (2005), aura (2007), and Baily's Nightwaves (1977), made at Cal Arts. aura was completed posthumously by John Buchanan. Music by Richard Baily.
"These pieces are meant to be environmental background "fill" intended to enhance the space that people inhabit, and not be the foreground element in anyone's awareness, like ambient music, you can check in on it, and leave it for awhile, and check into it again with a different level of focus and concentration, and then leave it again..." - Richard "dr" Baily
François Miron began makings films in 1982, working exclusively with emulsion (as in film NOT video) the body of his early work consist of several short experimental films, all created using a powerful film image manipulation technique that he has mastere
A pioneer of British video art, once described in Art Monthly as ‘the Henry Ford of independent video’ George Barber gained an international reputation with ‘Scratch Video’, an original fast-cutting, multi-layered rhythmic genre of work in the 1980s.
A visually opulent, almost hypnotic film, for which the word poetic really is justified for a change. This hybrid film is made up of fourteen film poems, each of which has the character of an individual short film, but in tone and approach they are all cl
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