Heinz Emigholz künstlerische Arbeit erkundet den Grenzbereich zwischen Film und bildender Kunst. Sein frühes Filmwerk lieferte wichtige Impulse für die internationale Experimentalfilmbewegung der 1970er und 80er Jahre und gehört zu den wenigen experimente

Using 16mm cameras, artist Ben Rivers documents the solitary existence of Jake, a man who lives in isolation in the middle of the forest in a remote part of Scotland. The film follows his unconventional life, capturing moments of profound beauty. Jake is seen in all seasons, surviving frugally, passing the time with strange projects, living the radical dream he had as a younger man, a dream he spent two years working at sea to realise.

Gracefully constructed, Two Years at Sea creates an intimate connection with an individual who would otherwise be a complete outsider to us.

"Patrick Bokanowski, the artist-alchemist of celluloid, employsan extraordinary range of technical invention - combing live-action with optical experiments, drawing, performance, painting, and animation - to conjure magical forays into a parallel universe

Let Me Feel Your Finger First's Ontologically Anxious Organism, narrates the experience of an animated character, who nervous about the very concept of character itself, disquises himself as a boulder. The three episodes follow the boulders progress through a series of reconstituted cartoon scenes whilst he grapples with existence, meets his maker and finally slips outside of the space of the picture plane to seek the ultimate reference.