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4 films by Marcel Hanoun. DVD Boxset contains a 100-page book with texts by: Jean-Louis Bory, Dominique Noguez, Emeric de Lastens, André Cornand & Abraham Segal, Paola Melis.
L’ÉTÉ (35 mm, b&w, 64 min, 1968) With: Graziella Buci, Pierre-Henri Deleau
L’HIVER (35 mm, b&w and color, 78 min, 1969) With: Tiziana Siffi, Michael Lonsdale, Christian Barbier, Frédéric Latin, Maurice Poullenot
As I Was Moving Ahead... is a record of subtle feelings, emotions, daily joys of people as recorded in the voices, faces and small everyday activities of people I have met, or lived with, or observed -- something that I have been recording for many years. This, as opposed to the spectacular, entertaining, sensational, dramatic activities which dominate much of the contemporary film-making.
Transcurriendo en paralelo a las rupturas estéticas de las vanguardias artísticas de principios del siglo XX, el cine experimental investiga el potencial del medio cinematográfico a través de sus posibilidades formales y su trasfondo crítico. Estas prácticas fílmicas interrogan las imágenes y los sonidos tencológicos vindicando un espíritu autodidacta, narraciones atípicas, formulaciones abstractas y temporalidades inusitadas.
Filmmaker, musicologist, painter, ethnographer, graphic designer, mystic, and collector of string figures and other patterns, Harry Smith (1923-1991) was among the most original creative forces in postwar American art and culture, yet his life and work re
RE:VOIR is proud to announce the release of the new DVD "FREE RADICALS - A HISTORY OF EXPERIMENTAL FILM" by Pip Chodorov. The DVD features 8 bonus short films by key filmmakers who appear in the documentary and it is subtitled in 8 languages (FRANÇAIS, ESPAÑOL, SRPSKI, ČESKÉ, LIETUVIŲ, 中文, 日本語, 한국어). It also includes a 56-page booklet with texts by Jonas Mekas, Scott Hammen, Raphaël Bassan and Nathaniel Draper.
"Free Radicals" has been screened in 50 international festivals and distributed theatrically in France, USA and Canada.
Craig \"Tribulation 99\" Baldwin follows intellectual property controversies across the contemporary arts scene. Playful and ironic, his cut-and-paste collage-essay surveys the prospects for an \"electronic folk culture\" in the midst of an increasingly c
Art theory has always had a major component in writing, or the illustration of the artists’ own ideas around their trajectory and working methods. To be more specific, writing has been a way for artists to ponder on their own activity, to identify certain trends they felt close to, to articulate a reflection on a given medium and challenge preconceived ideas.
Since 1950 I have been keeping a film diary. I have been walking around with my Bolex and reacting to the immediate reality: situations, friends, New York, seasons of the year. On some days I shot ten frames, on others ten seconds, still on others ten minutes. Or I shot nothing. When one writes diaries, it's a retrospective process: you sit down, you look back at your day, and you write it all down.
Rüdiger Neumann, Filmemacher und Professor an der Hochschule für bildende Künste in Hamburg, hat mit seiner Lehrtätigkeit zwei Generationen von Filmemachern beeinflusst, die heute das aktuelle deutsche Kino mitbestimmen. Die HfbK war in den 1980er und 1990er Jahren die einzige experimentelle und politische Alternative zu den Filmschulen in München und Berlin. Rüdiger Neumanns kontroverses Donnerstagsseminar ist legendär. Auf dieser DVD werden erstmals die fünf wichtigsten Filme von Rüdiger Neumann veröffentlicht.
Originally a Nervous System work (presented live using a special film-projection contrivance that wife Flo and I would set up). The 1929 Laurel and Hardy short Berth Marks, filmed twice, with and without sound, is our glorious take-off point. In some ways
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