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The work of creation is -in the imitation of the Wanderungen durch die de Theodor Fontane-, around a contemporary walk in the country of Havel the center of which Berlin would be. Seasons are constituted in polyptych. The presented films propose the decl
Cindy was asleep under a maple tree/ Rolled over and said to me/ I dreamt of Air Cries/ I turned over, we were lying on the the/ dry cracked mud of a river bed/ Empty Water/ Puppies, Air Cries Only/ They don't make a sound/ My eyes on fire with nothing/ to quell them/ A piece of steel in the heart/ Misery loves company
Founded in 1966 at McMaster University by avant-garde filmmaker John Hofsess and future frat-comedy innovator Ivan Reitman, the McMaster Film Board was a milestone in the development of Canada’s commercial and experimental film communities. McMaster’s student film society quickly became the site of art filmmaking and an incubator for some of the country’s most famous commercial talent – as the well as the birthplace of the first Canadian film to lead to obscenity charges, Hofsess’s Columbus of Sex.
Flesh Cinema: The Corporeal Turn in American Avant-Garde Film explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning.
Imagine an eye unruled by man-made laws of perspective, an eye unprejudiced by compositional logic, an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception. How many colors are there in a field of grass to the crawling baby unaware of "Green"? How many rainbows can light create for the untutored eye? How aware of variations in heat waves can that eye be? Imagine a world alive with incomprehensible objects and shimmering with an endless variety of movement and innumerable gradations of color.
4 films by Marcel Hanoun. DVD Boxset contains a 100-page book with texts by: Jean-Louis Bory, Dominique Noguez, Emeric de Lastens, André Cornand & Abraham Segal, Paola Melis.
L’ÉTÉ (35 mm, b&w, 64 min, 1968) With: Graziella Buci, Pierre-Henri Deleau
L’HIVER (35 mm, b&w and color, 78 min, 1969) With: Tiziana Siffi, Michael Lonsdale, Christian Barbier, Frédéric Latin, Maurice Poullenot
As I Was Moving Ahead... is a record of subtle feelings, emotions, daily joys of people as recorded in the voices, faces and small everyday activities of people I have met, or lived with, or observed -- something that I have been recording for many years. This, as opposed to the spectacular, entertaining, sensational, dramatic activities which dominate much of the contemporary film-making.
Transcurriendo en paralelo a las rupturas estéticas de las vanguardias artísticas de principios del siglo XX, el cine experimental investiga el potencial del medio cinematográfico a través de sus posibilidades formales y su trasfondo crítico. Estas prácticas fílmicas interrogan las imágenes y los sonidos tencológicos vindicando un espíritu autodidacta, narraciones atípicas, formulaciones abstractas y temporalidades inusitadas.
Includes a 40 page booklet on Smith's work. Animations and abstractions that reference geological time, Pythagoras, Buddhism, The Kaballa, Oskar Fischinger and fly agarics - all to a soundtrack of the early Beatles.
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