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The first in a series of DVDs dedicated to the Spanish filmmaker Adolpho Arrietta, with his first three films, El crimen de la pirindola (1965), La imitación del ángel (1966) and Le jouet criminel (1969)
Originally a student of the abstract expressionist painters, Stan Brakhage has steadily completed over 200 films in a forty year period. Considered a master in avant-garde circles, his theory of representing \"Closed-eye vision\" in film has led him to th
\"This film splendidly develops the main traits of Brakhage‚\' s films: no hero, visual sensuality, fluidity of movement and montage, a passion for color.\"
Berlin-born Hans Richter - Dadaist, painter, film theorist and filmmaker - was for four decades one of the most influential members of the cinematic avant-garde. Richter assembled some of the century's liveliest artists as co-creators of Dreams That Mon
Telling Invents Told is the first collection of writings by artist and filmmaker Lis Rhodes. It includes the influential essay Whose History? alongside texts from works such as Light Reading, Pictures on Pink Paper and A Cold Draft, together with new and previously unpublished materials. Since the 1970s, Rhodes has been making radical and experimental work that challenges hegemonic narratives and the power structures of language.
A limited edition retrospective DVD of 23 landmark films commissioned through the groundbreaking Channel 4/Arts Council England AnimateTV project, a unique collaboration supporting innovative and risk-taking experiments in animation.
This DVD features five films by Vivienne Dick from various times in her life, and is meant as an introduction to the breadth of her work: Beauty Becomes the Beast is from her early suite of films made in the ‘No Wave’ scene of 1970s New York; Visibility MVivienne Dick (b. 1950, Ireland) is an internationally-celebrated film-maker and artist. A key figure of the ‘No Wave’ movement in New York in the late 1970s and early 1980s, she has gone on to develop an extraordinary body of work, which has been shown in cinemas, films festivals and art galleries around the world.
“This handful of interviews originated at A Coruña’s (S8) Mostra de Cinema Periférico.
Made mostly with a phone camera, these films form a collection of short compressed works that are noirish and aphoristic; part video-diary, part cinephilic, they work like a video jukebox, or a vinyl album. Set in several cities and landscapes, these film
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