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The Exploding Cinema is a collective of artists that produce what can be described as a hybrid fusion of projection, performance and social space. It began in South London in late 1991.
This book is about margins and marginality in the art world as sources for critical engagements in the studio. It builds on the pioneering work of critical theorist and artist Michael Betancourt, who has used glitches as an integral part of his art since the early 1990s. This book presents his thinking about his own work linking theory and practice in a larger context of conceptual and theoretical concerns that are neither a statement of intentions, nor merely a subjective series of claims about past accomplishments.
Juxtaposing archival footage spanning 35 years, as well as rare film excerpts and vintage and contemporary interviews with Brakhage, his friends, family, colleagues and critics, BRAKHAGE is the perfect complement to the Criterion Collection’s BY BRAKHAGE
Compelling interviews with notables in avant-garde cinema offer insights into moving image art--its creative processes, formative influences, and hidden psychic effects. Through interviews with George Manupelli, Chick Strand, Tom Gunning, Lynne Sachs, Jay Rosenblatt, Martha Colburn, Evan Meaney, Mike Hoolboom, Robert Nelson, and Nina Menkes, Strange Questions links powerful personal stories with the contemporary media-scape.
Questions addressed in this collection include:
What role does the audience play in the creative process?
In Azul Profundo Sebastian Wiedemann plunges into the transorganic space of Blue, a cinematic state of complete communion with the depths of Nature’s cosmological memory. Blue as guideline into a cinema of receptive profusion and total connection with one's intrinsic sensorial capacities. Deep Blue as cinematic wild experience and experiment of thinking, as a radical adventure into the potential of an unexpected speculative scenario where the verb to blue gains uncountable affective tonalities.
Since the late 1970s, James Benning's films have been a regular fixture at festivals in Germany and Austria, while frequent television broadcasts have helped expose his work to an even larger audience here than perhaps at home. This 2-disc set presents the products of this intercontinental relationship: Ruhr, Benning's first foray into digital filmmaking, is a modern-day "city symphony" dedicated to Germany's industrial Ruhr district. His latest work, natural history, is an audiovisual portrait commissioned by Vienna's Natural History Museum. Reinhard Wulf's feature-length documentary James Benning: Circling the Image, produced for German television, rounds off the set.
Experiments In Cinema 13.6 DVD fundraising collection (8 DVDs) featuring all the films from the 2018 experimental film festival!
EIC v13.6
The Black Material Edition
Disc 1
Suzan Pitt’s work is like a dream. Things exist out of proportion, shapes shift, characters emerge and then disappear. But like any dream, they also exist with a backbone of reality, and in every way celebrate the things that make life such a mixed bag of joy and sorrow. They are amazing works of art, and for any fan of animation or unique cinematic experiences, they are not to be missed. -Steven Snyder - TimeOut
Taking photos and making films are two ways of touching people. People have become the main subject of my collections. Collecting is much like an act of faith. It is a creative act, a chance to discover oneself, while at the same time participating in other's passions.
My photographs -and my films- seek out human contact, and they find it.
Piece touchee, Passage a l\'acte and Alone: Life wastes Andy Hardy. Arnold calls these pieces his \'revenge on film history\'. Inspired distortions of popular cinema that challenge the supposedly stable system of Hollywood space and time and undermine the
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