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A series of four films - Cinematographic painting by compounds, mergers of different cinematic levels in multiple exposures. Structure of the image from color dots and the image resolution in dots of color, building the image from image surfaces and plana
Made mostly with a phone camera, these films form a collection of short compressed works that are noirish and aphoristic; part video-diary, part cinephilic, they work like a video jukebox, or a vinyl album. Set in several cities and landscapes, these film
Berlin-born Hans Richter - Dadaist, painter, film theorist and filmmaker - was for four decades one of the most influential members of the cinematic avant-garde. Richter assembled some of the century's liveliest artists as co-creators of Dreams That Mon
“This handful of interviews originated at A Coruña’s (S8) Mostra de Cinema Periférico.
The Emergence of Video Processing Tools presents stories of the development of early video tools and systems designed and built by artists and technologists during the late 1960s and ’70s. Split over two volumes, the contributors examine the intersection of art and science and look at collaborations among inventors, designers, and artists trying to create new tools to capture and manipulate images in revolutionary ways. The contributors include “video pioneers,” who have been active since the emergence of the aesthetic, and technologists, who continue to design, build, and hack media tools. The book also looks at contemporary toolmakers and the relationship between these new tools and the past. Video and media production is a growing area of interest in art and this collection will be an indispensable guide to its origins and its future.
About thirty shots, with rarely a spoken word. But this wouldn\'t be worth mentioning if Deux Fois were not the film it is: one of the strongest ... yet, at the same time, most enigmatic works ever seen.
Uncollected Texts draws together a number of Carolee Schneemann’s earliest writings—many exceedingly rare and several that are published here for the first time—ranging from letters to the editor, dream journals, and film criticism, to satirical poems, detailed discussions of her art, and pointed feminist critiques. Edited by Branden W. Joseph, the book includes 30 texts by Carolee Schneemann written between 1956 and 1981, as well as an introduction by Joseph.
The first in a series of DVDs dedicated to the Spanish filmmaker Adolpho Arrietta, with his first three films, El crimen de la pirindola (1965), La imitación del ángel (1966) and Le jouet criminel (1969)
A limited edition retrospective DVD of 23 landmark films commissioned through the groundbreaking Channel 4/Arts Council England AnimateTV project, a unique collaboration supporting innovative and risk-taking experiments in animation.
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