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37 films from Fluxus artists gathered together by George Maciunas. The inheritors of the Dada and Futurist avant-gardes, Fluxus artists have always tried to challenge the official fine art line. These are some of their films, both Zen and playful.
Since the late 1970s, James Benning's films have been a regular fixture at festivals in Germany and Austria, while frequent television broadcasts have helped expose his work to an even larger audience here than perhaps at home. This 2-disc set presents the products of this intercontinental relationship: Ruhr, Benning's first foray into digital filmmaking, is a modern-day "city symphony" dedicated to Germany's industrial Ruhr district. His latest work, natural history, is an audiovisual portrait commissioned by Vienna's Natural History Museum. Reinhard Wulf's feature-length documentary James Benning: Circling the Image, produced for German television, rounds off the set.
Piece touchee, Passage a l\'acte and Alone: Life wastes Andy Hardy. Arnold calls these pieces his \'revenge on film history\'. Inspired distortions of popular cinema that challenge the supposedly stable system of Hollywood space and time and undermine the
Experiments In Cinema 13.6 DVD fundraising collection (8 DVDs) featuring all the films from the 2018 experimental film festival!
EIC v13.6
The Black Material Edition
Disc 1
Suzan Pitt’s work is like a dream. Things exist out of proportion, shapes shift, characters emerge and then disappear. But like any dream, they also exist with a backbone of reality, and in every way celebrate the things that make life such a mixed bag of joy and sorrow. They are amazing works of art, and for any fan of animation or unique cinematic experiences, they are not to be missed. -Steven Snyder - TimeOut
Taking photos and making films are two ways of touching people. People have become the main subject of my collections. Collecting is much like an act of faith. It is a creative act, a chance to discover oneself, while at the same time participating in other's passions.
My photographs -and my films- seek out human contact, and they find it.
Aiming at a long-overdue reappraisal of Dore O.’s avant-garde film practice, this publication honors the work and legacy of Dore O., one of Germany’s most pioneering experimental filmmakers.
Juxtaposing archival footage spanning 35 years, as well as rare film excerpts and vintage and contemporary interviews with Brakhage, his friends, family, colleagues and critics, BRAKHAGE is the perfect complement to the Criterion Collection’s BY BRAKHAGE
The fact that Siegfried Fruhauf’s films have a certain hypnotic effect cannot be denied. Battles of material take place in them, they contain reflections and illusions, soundtracks filled with noise and visual interference signals run riot; at the same time all the structural experiments the filmmaker risks never rigidify in the merely theoretical. Fruhauf’s cinema is extremely atmospheric and decidedly non-academic. On the contrary, it presents itself as being radically undogmatic, alternating between abstraction and representation, between punk and classicism.
EVERY DAY 1, 2, 3 are 3 small (5” x 51/4”) artist zines about the relation between film and life, living and filmmaking as Sternberg sees it. The books reference different experiences of time respectively:1-daily repetitive; 2- random, contingent; 3- cumulative. Book 3’s images document Sternberg’s studio: film strips, cans of film, editing equipment, optical printer and bolex camera.
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