Lo más valorado

Publicaciones más valoradas según las votaciones de los usuarios de la página.

 

 

  • Ex-Cinema: From a Theory of Experimental Film and Video

    What does it mean for film and video to be experimental? In this collection of essays framed by the concept “ex-”—meaning from, outside, and no longer—Akira Mizuta Lippit explores the aesthetic, technical, and theoretical reverberations of avant-garde film and video. Ex-Cinema is a sustained reflection on the ways in which experimental media artists move outside the conventions of mainstream cinema and initiate a dialogue on the meaning of cinema itself.

    Valoración: 

    Promedio: 3.4 (20 votos)

    Precio: 

    34,95 USD

    Categoría: 

  • Gustav Deutsch: Not Home. Picturing the Foreign Films 1990-2015

    Over the past half-century, two tendencies have dominated independent, artisanal filmmaking. One of these is the fascination with the material artifacts of cinema´s history: it is often called »found-footage filmmaking« and sometimes »recycled cinema«. Filmmakers working in this vein are often archeologists of cinema, aesthetically and/or ideologically engaging with the work of earlier generations of filmmakers of all kinds.

    Valoración: 

    Promedio: 3.4 (15 votos)

    Precio: 

    28,80 EUR

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  • Fluxfilm Anthology

    37 films from Fluxus artists gathered together by George Maciunas. The inheritors of the Dada and Futurist avant-gardes, Fluxus artists have always tried to challenge the official fine art line. These are some of their films, both Zen and playful.

    Valoración: 

    Promedio: 3.4 (10 votos)

    Precio: 

    30.00 EUR

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  • Figures of Absence. The Films of Dore O.

    Aiming at a long-overdue reappraisal of Dore O.’s avant-garde film practice, this publication honors the work and legacy of Dore O., one of Germany’s most pioneering experimental filmmakers.

    Valoración: 

    Promedio: 3.4 (5 votos)

    Precio: 

    29 EUR

    Categoría: 

  • Exploding Cinema 1991 - 1999: Culture and Democracy

    The Exploding Cinema is a collective of artists that produce what can be described as a hybrid fusion of projection, performance and social space. It began in South London in late 1991.

    Valoración: 

    Promedio: 3.4 (5 votos)

    Precio: 

    9,95 GBP

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  • Research Art: glitches, poetics, typography and the aura of the digital

    This book is about margins and marginality in the art world as sources for critical engagements in the studio. It builds on the pioneering work of critical theorist and artist Michael Betancourt, who has used glitches as an integral part of his art since the early 1990s. This book presents his thinking about his own work linking theory and practice in a larger context of conceptual and theoretical concerns that are neither a statement of intentions, nor merely a subjective series of claims about past accomplishments.

    Valoración: 

    Promedio: 3.4 (5 votos)

    Precio: 

    24,95 USD

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  • Jim Shedden - Brakhage

    Juxtaposing archival footage spanning 35 years, as well as rare film excerpts and vintage and contemporary interviews with Brakhage, his friends, family, colleagues and critics, BRAKHAGE is the perfect complement to the Criterion Collection’s BY BRAKHAGE

    Valoración: 

    Promedio: 3.4 (5 votos)

    Precio: 

    29.95 USD

    Categoría: 

  • Strange Questions: Experimental Film as Conversation

    Compelling interviews with notables in avant-garde cinema offer insights into moving image art--its creative processes, formative influences, and hidden psychic effects. Through interviews with George Manupelli, Chick Strand, Tom Gunning, Lynne Sachs, Jay Rosenblatt, Martha Colburn, Evan Meaney, Mike Hoolboom, Robert Nelson, and Nina Menkes, Strange Questions links powerful personal stories with the contemporary media-scape.

    Questions addressed in this collection include:

    What role does the audience play in the creative process?

    Valoración: 

    Promedio: 3.4 (5 votos)

    Precio: 

    Paperback - 10 USD
    Kindle - 5 USD

    Categoría: 

  • Azul Profundo : Memorias de Futuro de un Entre-Vivir Cinematográfico / Deep Blue : Future Memories of a Living’s Cinematic In-Between

    In Azul Profundo Sebastian Wiedemann plunges into the transorganic space of Blue, a cinematic state of complete communion with the depths of Nature’s cosmological memory. Blue as guideline into a cinema of receptive profusion and total connection with one's intrinsic sensorial capacities. Deep Blue as cinematic wild experience and experiment of thinking, as a radical adventure into the potential of an unexpected speculative scenario where the verb to blue gains uncountable affective tonalities.

    Valoración: 

    Promedio: 3.4 (5 votos)

    Precio: 

    18 USD

    Categoría: 

  • Boris Lehman - Histoire de ma vie racontée par mes photographies

    Taking photos and making films are two ways of touching people. People have become the main subject of my collections. Collecting is much like an act of faith. It is a creative act, a chance to discover oneself, while at the same time participating in other's passions.

    My photographs -and my films- seek out human contact, and they find it.

    Valoración: 

    Promedio: 3.4 (5 votos)

    Precio: 

    32 EUR

    Categoría: 

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