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Stephen Parr of Oddball Film + Video presents an extraordinary personal romp through the seamy side of Sex in Cinema. Drawn from his extensive 16mm film archives, this polymorphous program promises a pulsating panorama of perverse pleasures that includes
Newly released DVD that features much of Harry Smith’s early film work, including Early Abstractions (Film # 1 – 5, 7 & 10), Mirror Animations (Film #11) and Late Superimpositions (Film #14), as well as Untitled Seminole Patchwork (Film #15). Special extras include Percy Heath (Modern Jazz Quartet), in conversation with Rani Singh, and the Percy Heath Trio performing live to Early Abstractions, both from 2001.
New High-Definition Digital Transfers
Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, while also using it to explore various theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the concept of medium as such.
From the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and peFrom the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position.
Including 3 films directed by Raphaël Bassan plus 2 bonus films directed by Michel Amarger & Frédérique Devaux and Viviane Vagh.
With a 43p. bilingual booklet in English & French.
Ixe - EEKS is the four points of the compass, the four ends of the cross, is War, Sex, Religion and Drugs. Includes a 40 page booklet connected to the film.
Stan Brakhage, American artist born in 1933, accomplished from 1952 to the year of his death in 2003, more than 300 films, all on film. Founder of a visionary cinema which finds its plastic and critical powers in the material itself of the film, Stan Brakhage is like a spiritual father for a whole generation of artists today.
His work, fecund and multiple, which feeds as well on his private and family universe as on nature and political events in his time, finds a fecund humus in abstraction for its visual researches. Great technician of the film tool – the camera as well as the film and the systems of printing –, Brakhage invents an unique film form, whose importance in the history of cinema sometimes made him compared with Pollock for painting.
These films foreground the experiences of our surroundings and cinematic space, while engaging in singular aesthetic journeys of their own. Narratives of space are traced in this work, exploring material environments constructed as sites, by movement and habit, and the workings of finance and capital.
Includes an essay by Jonathan P. Watts, contemporary art critic and lecturer at the Royal College of Art, London.
Maya Deren is one of the most important American experimental filmmakers of all time and Kino Classics and Re:Voir are proud to present new 2K restorations of her essential work. Along with being a filmmaker, Deren was a choreographer, dancer, film theorist, poet, lecturer and photographer, and she brings all of these disciplines together in her dreamlike and ecstatic films.
From the claustrophobic confines of suburban surveillance to the infinite landscapes of the Taklamakan desert, Deborah’s films blur the line between abstract and documentary filmmaking and capture the alien environments within everyday life.
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