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DVD with 15 films by Storm De Hirsch. Second release of re:voir's New York Film-makers' Cooperative Collection.
A major work in terms of style, structure, graphic invention, image manipulation and symbolic ritual. Short abbreviated dream-like moments, fused together by the tension and the dynamic of motion-picture time.
-Stan Vanderbeek
"'My Seven places' starts at the moment I was evicted from several places which are dear to me. They served me well as homes, both as place for living and working. This was the start of my urban wandering, which would take me ten years - a journey of 300.000 kilometers - before returning just about to my starting point. The adventure was both physical and metaphysical.
This collection of essays by Peter Gidal includes “Theory and Definition of Structural/Materialist Film” and other texts on metaphor, narrative, and against sexual representation. Also discussed in their specificity are works by Samuel Beckett, Thérèse Oulton, Gerhard Richter and Andy Warhol. Throughout, Gidal’s writing attempts a political aesthetics, polemical as well as theoretical. One of the foremost experimental film-makers in Britain since the late 1960s, Peter Gidal was a central figure at the London Film-Makers’ Co-operative, and taught advanced film theory at the Royal College of Art. His previous books include Andy Warhol: Films and Paintings (1971), Understanding Beckett (1986) and Materialist Film (1989).
The DVD brings together 11 films by Peter Gidal made between 1967 to 2013. It is accompanied by a unique 40 page booklet of texts about the filmmaker’s work by Patricia L. Boyd, Stephen Heath and Chris Kennedy. The booklet is composed of transparent pages and was designed by Diana Vidrascu at RE:VOIR.
Nirgendwo wird die Rede vom \"panoptischen Zeitalter\", von einem Auge, das alles erfasst und selbst unfassbar bleibt, deutlicher, als in eben dem Medium, das Allgegenwart und Flüchtigkeit im globalen Maßstab umgesetzt hat: das Internet.
Dyn Amo is a 'drama' exploring the distinction between a person's self and his projection of that self to others; and it's a 'horror movie' tragically suggesting how a projection can become more substantial than the self behind it
The subversive, ironic analysis of systems of social control; pseudo-scientific technical experiments, for example with objects of daily use; and the »manipulation« of our visual habits with the help of technical
apparatus these are central aspects of
New Blu-ray/DVD edition of the film "Presents" by Michael Snow with Jane Fellowes and Peter Melnick, and with Robin Collyer, Keith Lock, Brian Day, Stephen Smith, Gregory Svaluto, Ric Amis and The Canada Council.
Remastered in 4K from the original 16mm film negatives.
Includes a 60-page Booklet by Michael Snow, R. Bruce Elder & Max Knowles
There's something extraordinarily personal about all of this. Extreme ambition, monstrous collages, an unusual and highly disconcerting obsession that doesn't let up for one minute, due in part to its diabolically relentless repetitions. It's what you might get if Eisenstein directed a Franco-Chinese re-make of Wild Strawberries in the suburbs of Paris.
-Louis Skorecki, Libération on Le Jardin des âges
Italy was a vibrant centre of video art production and exhibition throughout the 1970s and 1980s. This early seminal experimentation attracted artists from all over the world and laid the foundation for video art. However since then, early Italian video art has received only scant international exposure. Its contribution to the history of video as an art form has for too long escaped the recognition that it so unequivocally deserves.
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