Lionel Soukaz - Ixe
Ixe - EEKS is the four points of the compass, the four ends of the cross, is War, Sex, Religion and Drugs. Includes a 40 page booklet connected to the film.
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Ixe - EEKS is the four points of the compass, the four ends of the cross, is War, Sex, Religion and Drugs. Includes a 40 page booklet connected to the film.
Stan Brakhage, American artist born in 1933, accomplished from 1952 to the year of his death in 2003, more than 300 films, all on film. Founder of a visionary cinema which finds its plastic and critical powers in the material itself of the film, Stan Brakhage is like a spiritual father for a whole generation of artists today.
His work, fecund and multiple, which feeds as well on his private and family universe as on nature and political events in his time, finds a fecund humus in abstraction for its visual researches. Great technician of the film tool – the camera as well as the film and the systems of printing –, Brakhage invents an unique film form, whose importance in the history of cinema sometimes made him compared with Pollock for painting.
Michael Betancourt is a Glitch Art pioneer who began manipulating digital errors in 1990. This collection surveys his HD movies. These movies have shown in film festivals, art fairs, and galleries internationally, influencing the use of glitches in popular culture (such as in the title sequence to Amazon's sci-fi program The Expanse).
From the claustrophobic confines of suburban surveillance to the infinite landscapes of the Taklamakan desert, Deborah’s films blur the line between abstract and documentary filmmaking and capture the alien environments within everyday life.
Colour Box: 19 Films by Len Lye is the largest and most complete collection of work by the New Zealand-born master of ‘direct’ animation and as Time magazine put it, “England’s answer to Walt Disney”.
This DVD is an essential resource for cinephiles and fans of Lye’s work, presenting masterpieces across Lye’s pioneering career in film, made between 1929 to 1979. It includes his first film Tusalava (1929) through to the masterpiece ‘scratch’ films Free Radicals (1958) and Particles in Space (1979).
DVD with 15 films by Storm De Hirsch. Second release of re:voir's New York Film-makers' Cooperative Collection.
A major work in terms of style, structure, graphic invention, image manipulation and symbolic ritual. Short abbreviated dream-like moments, fused together by the tension and the dynamic of motion-picture time.
-Stan Vanderbeek
"'My Seven places' starts at the moment I was evicted from several places which are dear to me. They served me well as homes, both as place for living and working. This was the start of my urban wandering, which would take me ten years - a journey of 300.000 kilometers - before returning just about to my starting point. The adventure was both physical and metaphysical.
Nirgendwo wird die Rede vom \"panoptischen Zeitalter\", von einem Auge, das alles erfasst und selbst unfassbar bleibt, deutlicher, als in eben dem Medium, das Allgegenwart und Flüchtigkeit im globalen Maßstab umgesetzt hat: das Internet.
The DVD brings together 11 films by Peter Gidal made between 1967 to 2013. It is accompanied by a unique 40 page booklet of texts about the filmmaker’s work by Patricia L. Boyd, Stephen Heath and Chris Kennedy. The booklet is composed of transparent pages and was designed by Diana Vidrascu at RE:VOIR.
Experimental Film and Anthropology urges a new dialogue between two seemingly separate fields. The book explores the practical and theoretical challenges arising from experimental film for anthropology, and vice versa, through a number of contact zones: trance, emotions and the senses, materiality and time, non-narrative content and montage. Experimental film and cinema are understood in this book as broad, inclusive categories covering many technical formats and historical traditions, to investigate the potential for new common practices.
An international range of renowned anthropologists, film scholars and experimental film-makers engage in vibrant discussion and offer important new insights for all students and scholars involved in producing their own films. This will be indispensable reading for students and scholars in a range of disciplines including anthropology, visual anthropology, visual culture and film and media studies.
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