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The fourth volume in the BFI's British Artists' Films series - produced in partnership with arts documentary makers Illuminations and Arts Council England - features Jayne Parker, an artist who makes moving images for cinema, gallery and television.
A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers.
Available on DVD for the first time, this 2004 debut feature of avant-garde veteran (and Ohio-raised) Jennifer Reeves combines elements of narrative, experimental, and documentary techniques to create a truly lyrical example of personal storytelling. In The Time We Killed, Reeves burrows into the perspective of a reclusive woman (poet Lisa Jarnot) who tries to ignore the world outside of her New York apartment. But images from her past and current world events (from 9/11 to the war in Iraq) cause her to confront and fight her growing agoraphobia. Shot on a mix of 16mm and digital video, the brilliantly textured film has achieved extraordinary acclaim for such a radically experimental work and has won major prizes at the Berlin and Tribeca Film Festivals.
Ken Jacobs is one of the most wildly creative and influential film artists and teachers in the history of the medium, and Kino Classics is proud to present this two-disc selection from his vast body of work (additional titles will be available digitally via Kino Now). Jacobs, born in Brooklyn, NY in 1933, studied Abstract Expressionism with Hans Hofmann before turning to filmmaking – where he became a prolific member of the underground scene, along with contemporaries Jonas Mekas, Jack Smith, and Stan Brakhage.
A collection of eight films from the 49th Ann Arbor Film Festival, featuring award winning films such as, The Florestine Collection, In the Absence of Light, Darkness Prevails, I Touched Her Legs and other notable films such as Ray's Birds, Little Brother, Miramare, Broad Channel and 28.IV.81 (Descending Figures).
In 1974 I moved to a rural property on Old Redwood Highway in Sonoma County near the town of Penngrove California... During the ensuing years... I could both record interesting moments and also weave a cinematic fabric equivalent to the gestural style and
Includes:
- Scenes From The Life Of Andy Warhol: Friendships And Intersections, 1990, 35’
- Zefiro Torna Or Scenes From The Life Of George Maciunas, 1992, 35’
- Happy Birthday To John, 1995, 24’
- This Side Of Paradise, 1999, 35’
Todo libro como este —una colección de ensayos hecha sobre, con, alrededor o en compañía de algo—es una empresa a la vez didáctica y literaria. En Una luz revelada. El cine experimental argentino, Pablo Marín describe imágenes y sonidos a la vez que define y redefine conceptos que se encontraban esparcidos, aventurando palabras donde antes había silencios.
Devotional Cinema, reprised from filmmaker Nathaniel Dorsky's lecture on religion and cinema at Princeton University, is a rare treasure of penetrating insight into the language of film. In a compelling style, somewhere between a Zen koan and a Victorian love story, Devotional Cinema makes the case for mindful viewing as a transcendent experience. In the process, Dorsky reflects upon the role of filmmaking in faith, prayer, pleasure, and the renewal of the human spirit. For Dorsky, the material nature of film illuminates a path to devotion. Devotional Cinema is a guide for makers and viewers who, like Dorsky, seek the 'elemental glory' of film." Kathleen Tyner (author of Literacy in A Digital World)
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