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The fourth volume in the BFI's British Artists' Films series - produced in partnership with arts documentary makers Illuminations and Arts Council England - features Jayne Parker, an artist who makes moving images for cinema, gallery and television.
A collection of eight films from the 49th Ann Arbor Film Festival, featuring award winning films such as, The Florestine Collection, In the Absence of Light, Darkness Prevails, I Touched Her Legs and other notable films such as Ray's Birds, Little Brother, Miramare, Broad Channel and 28.IV.81 (Descending Figures).
Todo libro como este —una colección de ensayos hecha sobre, con, alrededor o en compañía de algo—es una empresa a la vez didáctica y literaria. En Una luz revelada. El cine experimental argentino, Pablo Marín describe imágenes y sonidos a la vez que define y redefine conceptos que se encontraban esparcidos, aventurando palabras donde antes había silencios.
A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers.
Includes:
- Scenes From The Life Of Andy Warhol: Friendships And Intersections, 1990, 35’
- Zefiro Torna Or Scenes From The Life Of George Maciunas, 1992, 35’
- Happy Birthday To John, 1995, 24’
- This Side Of Paradise, 1999, 35’
In 1974 I moved to a rural property on Old Redwood Highway in Sonoma County near the town of Penngrove California... During the ensuing years... I could both record interesting moments and also weave a cinematic fabric equivalent to the gestural style and
Margaret Tait, filmmaker and poet, was born in Orkney in 1918. She trained first as a medical doctor before studying film in Rome in the 1950s. After returning to Edinburgh, Tait established her film studio, Ancona Films, before eventually returning to Orkney in the 1960s, where she lived and continued to make films until her death in 1999. Personae is Tait’s previously unpublished non-fiction manuscript edited by Sarah Neely with a selection of photographs from Margaret Tait’s personal archive with a foreword by Ali Smith and beautifully designed by Maeve Redmond.
Scott MacDonald explores the cinematic territory between the traditional categories of "documentary" and "avant-garde" film, through candid, in-depth conversations with filmmakers whose work has challenged these categories. Arranged in an imaginative chronology and written to be accessible to any film-interested reader, the interviews in Avant-Doc chart half a century of thinking by inventive filmmakers such as Robert Gardner, Ed Pincus, Alfred Guzzetti, Ross McElwee, Leonard Retel Helmrich, Michael Glawogger, Susana de Sousa Dias, Jonathan Caouette, Pawel Wojtasik, and Todd Haynes. Recent breakthroughs by Amie Siegel, Jane Gillooly, Jennifer Proctor, Betzy Bromberg, and Godfrey Reggio are discussed; and considerable attention is paid to Harvard's innovative Sensory Ethnography Lab, producer of Sweetgrass, Leviathan, and Manakamana. A rare interview with pioneering scholar Annette Michelson begins Avant-Doc's meta-conversation.
Inger Lise Hansen is a visual artist with background in experimental film and animation who for the last two decades has produced a distinctive and acclaimed body of moving image work. This publication presents her recent film trilogy, Proximity (2006), P
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