Glitch Theory: Art and Semiotics
What do glitches reveal about the normally invisible processes behind our interpretations?
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What do glitches reveal about the normally invisible processes behind our interpretations?
Scott MacDonald explores the cinematic territory between the traditional categories of "documentary" and "avant-garde" film, through candid, in-depth conversations with filmmakers whose work has challenged these categories. Arranged in an imaginative chronology and written to be accessible to any film-interested reader, the interviews in Avant-Doc chart half a century of thinking by inventive filmmakers such as Robert Gardner, Ed Pincus, Alfred Guzzetti, Ross McElwee, Leonard Retel Helmrich, Michael Glawogger, Susana de Sousa Dias, Jonathan Caouette, Pawel Wojtasik, and Todd Haynes. Recent breakthroughs by Amie Siegel, Jane Gillooly, Jennifer Proctor, Betzy Bromberg, and Godfrey Reggio are discussed; and considerable attention is paid to Harvard's innovative Sensory Ethnography Lab, producer of Sweetgrass, Leviathan, and Manakamana. A rare interview with pioneering scholar Annette Michelson begins Avant-Doc's meta-conversation.
Margaret Tait, filmmaker and poet, was born in Orkney in 1918. She trained first as a medical doctor before studying film in Rome in the 1950s. After returning to Edinburgh, Tait established her film studio, Ancona Films, before eventually returning to Orkney in the 1960s, where she lived and continued to make films until her death in 1999. Personae is Tait’s previously unpublished non-fiction manuscript edited by Sarah Neely with a selection of photographs from Margaret Tait’s personal archive with a foreword by Ali Smith and beautifully designed by Maeve Redmond.
Inger Lise Hansen is a visual artist with background in experimental film and animation who for the last two decades has produced a distinctive and acclaimed body of moving image work. This publication presents her recent film trilogy, Proximity (2006), P
Bimodal Press is excited to present Gravity Spells II: Bay Area New Music and Expanded Cinema Art, a combined publication release and performance series featuring over 30 Bay Area musicians, sound artists, filmmakers and writers.
From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate d“Bonnie & Clyde meet Bruno Dumont in a sensually explosive road trip through the USA.” – CPH:DOX Festival, Copenhagen, 2008
Bartosch's only surviving film was made single-handely in Paris in 1932. Almost 45000 frames were animated on four different levels simultaneously, often with as many as 18 superimpositions made in the camera.
Forms Are Not Self-Subsistent Substances (2010) is the most recent film in a body of work by Samantha Rebello. It develops themes in her earlier films, to do with materiality and language: attempting to examine the 'stuff of things', calling into question
In addition to the selection released on VHS in 1996 this DVD contains rarely seen experimental work from the 1970s and a slideshow of storyboards and commentary on A LITTLE ROUTINE. Holding more than 2 hours of indexed material GRIFFITI is an ideal tool
Adam K. Beckett was an alchemist of the animated image. His brilliant, ground-breaking, films made in the 1970s still resonate today, seething with psychedelic imagery, abstraction, and playful eroticism, transcending the carnal to the cosmic. His optical virtuoso was a significant force in both animation and visual effects. He won numerous awards for his animations, contributed to the innovative work at the young Robert Abel and Associates, and was head of animation and rotoscoping on the inaugural Star Wars movie (1977).
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