Jürgen Reble - Floating Emulsion 1989-1991
Contains Rumpelstilzchen (1989), Passion (1989-90) and Zillertal (1991)
Precio:
80 EUR
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Jürgen Reble - Painting in Time 1992-1996
Contains Das goldene Tor (1992), Ein bewährter Partner (1993) and Chicago (1996).
Precio:
80 EURCategoría:
Jürgen Reble - Chemical Presence 1996-2011
Contains Tabula Smaragdina (1996-2010), Arktis (2004), Yamanote Lightblast (2006), Zagreb Tram Station (2009) and Liquid movements (2011).
Precio:
100 EURCategoría:
What is Cinema?
Academy Award-winning filmmaker Chuck Workman's documentary What Is Cinema? tackles the question of its title through over 100 clips and new interviews with Mike Leigh, Jonas Mekas, Yvonne Rainer, David Lynch, video artist Bill Viola, Robert Altman, Kelly Reichardt, Costa-Gavras, Ken Jacobs, Michael Moore, critic J. Hoberman, and others, and with archival interviews from Robert Bresson, Alfred Hitchcock, Chantal Akerman, Akira Kurosawa, Abbas Kiarostami, and more. The film also includes commissioned sequences from experimental artists Lewis Klahr and Phil Solomon. What Is Cinema?
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39,98 USDCategoría:
Silent Avant-Garde
Silent Avant-Garde offers an essential collection of 21 short art film experiments in high-definition from 5K scans made of 35mm and 16mm picture elements. Highlights include brand new digital restorations of classic experimental films, The Enchanted City (1922), Return to Reason (1923), Ballet Mechanique (1924, 1931), The Twenty-Four Dollar Island (1925), Eisenstein Mexican Footage (1930), Escape, Synchromy No. 4 (1938), The Eclipse (1936-1949), Look Park (1973), and Tenga fe (2022).
Precio:
29,95 USDCategoría:
Jennifer Reeves: When It Was Blue - Selected Works 1992-2022
“No doubt the fragile stuff of film, made newly strange in an age of immaterial electronic images, encourages the contemplation of change and chance, birth and death; such notions are registered through utterly physical means by Reeves in the fractal cracks of distressed pigment that adorn some of her hand-edited frames, or the tidal flows of thick, opalescent paint, sometimes dotted with stellar bubbles of captured air, that wash across other moments.”
— Ed Halter, ArtforumPrecio:
22,90 EURCategoría:
A history of experimental film & video
Avante-garde film is in a constant state of change and redefinition. In this history, A.L. Rees tracks the movement of the avante-garde film between, on the one hand, the cinema, and, on the other hand, modern art (with its postmodern coda). He also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse. This history of avante-garde film and video ranges from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s.
Categoría:
Experimental Cinema in the Digital Age
Malcolm Le Grice, a pioneer of \"structural film\" in the 1970s and whose first video and computer works were exhibited in the late 1960s, provides a collection of his most notable essays.
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Categoría:
Film Art Phenomena
"Alongside the commercial cinema of narrative and spectacle there has always been another practice--call it avant-garde, experimental, or artists' film. In this provocative book, Nicky Hamlyn, an acclaimed filmmaker in the alternative tradition, investigates the film art phenomenon. Taking cues from modern trends in other artforms, notably painting and sculpture, this type of filmmaking emphasizes the nature of its apparatus and medium in order to bring about a critical, inquisitive state of mind in the viewer.
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25.99 GBPCategoría:
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