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Lee Hangjun, rather than capturing the actions of the object through the camera, has been working on chemical process, transforming film itself physically and chemically; Hong Chulki has been working on feedback playing or collaborative improvisation, wit
CONDITIONED is a DVD compilation of experimental film and video art from Turkey that explores the intellectual conditioning of children and teenagers through both the educational system and contemporary Turkish society at large.
Bärbel Neubauer has been creating animation and experimental films since 1980 and composing music and film music since 1991. An Austrian artist living in Germany, Neubauer works in a variety of film mediums including 70mm, 35mm and digital formats. Her practice spans handmade filmmaking techniques of painting and scratching directly on to celluloid through to digital 3D abstract animation.
Mirza/Butler’s The Exception and the Rule, filmed in Pakistan and India, is a complex bricolage of formal experiments, overlapping narratives, fictional collaborators and performative quotations that explore Bertolt Brecht’s concept of Lehrstücke so as to
Nina Danino is one of the foremost British experimental filmmakers of her generation. Her films explore the relationship of image to sound, and of theory to practice. She draws upon her own personal history as well as literary and artistic works, which are filtered through a poetic interpretation of feminist theory that foregrounds women’s personal experience and expression. These inspirations are restructured through image-making, editing and voice performances to create original works of striking intensity and emotional force.
Scenes from the life of Andy Warhol, as seen by four pioneer avant-garde film-makers and close friends of the Pop-artist.
An in-depth study of the expanding role of the moving image in British art over the past thirty years.
Filmmaker, painter, anthropologist, musicologist and occultist--Harry Smith (1923-1991) was an incomparable polymath and seminal figure in the realms of beat culture and avant-garde art. Smith's kaleidoscopic experimental films have influenced generations of artists and cinephiles, while his landmark three-volume compilation, the Anthology of American Folk Music (1952), laid the foundation for the folk music revival of the 1950s and 1960s.
Intermedia and Expanded Cinema, both as critical approach and artistic practice, left an indelible mark in a period of Japanese art history that is broadly considered to be one of its most dynamic moments in the wake of its postwar reemergence.
Despite the burgeoning interest in academic and curatorial circles in this segment of Japanese art history, the paucity of readily available material in a language other that Japanese has meant the local context, particularly the ways in which the terms were critically debated, was relatively neglected.
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