Publicaciones más valoradas según las votaciones de los usuarios de la página.
Just as punk created a space for bands such as the Slits and Poly Styrene to challenge 1970s norms of femininity, through a transgressive, strident new female-ness, it also provoked experimental feminist film makers to initiate a parallel, lens-based challenge to patriarchal modes of film making.
Le lettrisme, mouvement néo-avant-gardiste qui déploie ses activités dans l’immédiat après-Seconde Guerre mondiale en France, investit rapidement et avec intensité le cinéma. Entre 1950 et 1952, Isidore Isou, Maurice Lemaître, Guy Debord, Gil J.
Pour la première fois, un livre qui cerne au plus près la figure presque légendaire du cinéaste belge Boris Lehman.
Ici, aucune analyse de films, aucune critique. Il s’agit plutôt d’un livre d’artiste, portrait de Boris par lui-même, qui se présente sous forme de fragments savamment agencés, mêlant dessins, photos, poèmes et documents divers.
slow emergency siren, ongoing: Accessing Handsworth Songs
edited by Sarah Hayden with contributions from Clive Nwonka, Elaine Lillian Joseph, Sarah Hayden, Care-fuffle Collective
Partiendo de la exposición Somewhere from Here to Heaven, producida por Azkuna Zentroa y comisariada por Garbiñe Ortega, este libro catálogo nace como un espacio de admiración y reconocimiento a Bruce Baillie, cineasta “esencial” de los años 60 y gran promotor del cine experimental. Textos inéditos en algunos casos, históricos en otros, establecen un diálogo en torno a la figura de uno de los creadores más influyentes de la vanguardia cinematográfica norteamericana.
“a blueprint for critical resistance and aesthetic defiance in the face of digital capitalism and a rising new age” — Laila Shereen Sakr/ VJ Um Amel
Fear of the ‘machine artist’ reflects a deep cultural anxiety about industrialization, shaped by unresolved conflicts over automation and its potential to supplant human artists. Automated machinery represents both a technical development and a social paradigm that redefines labor, authorship, and creativity itself.
Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colou
The ten short films on this DVD represent a panoramic view of contemporary experimental creativity. It's the visuals that take the lead over the narration and orient the direction of the works. But these directions are joined with questions of humanity, philosophy and aesthetics that each creator asks himself, no matter what the style or format is used, concerning: games, desire, encounters, the search for an identity, representation or society.
Stephen Dwoskin was born in New York in 1939 and began making independent shorts there in 1961. In 1964 he followed his research work to London where he settled and participated in the founding of the London Filmmaker’s Co-op. His experimental films, for which he himself does the camera work, play with ideas of desire, sexual and mental solitude and the passage of time. In his films he also explores representation in cinema, performances, personal impressions and his own physical handicap which has been a source of inspiration for him throughout his career. His sensitive and emancipating works have been the subject of various international presentations.
The original, first ever Peripheral Produce release that features a compilation of twelve experimental films and videos by Negativland, Russ Forster, Miranda July, Animal Charm, Scott Arford, Vanessa Renwick, Matt McCormick, the Olympia Film Ranch, Bryan
|
Esta página web no es una tienda. Las publicaciones aquí listadas lo son únicamente para información y referencia. Cuando la publicación sea de distribución limitada se incluirán enlaces a puntos de venta. |
