Etiquetas: Abigail Child

Contenido etiquetado

Early Monthly Segments #98: Abigail Child & Julie Murray

By Marcos Ortega on Mar, 11/07/2017 - 04:49

Celebrate the heat of July with classics by two of the sharpest editors in the experimental scenes in the USA. Abigail Child’s heady Is This What You Were Born For? series (from which we’re showing four films) took the Eighties by storm creating “found” footage collages of sultry noir seduction—turning erotic desires on its head.

Fechas:
De Lunes, Julio 24, 2017 - 20:00 hasta Martes, Julio 25, 2017 - 19:55
Local:
Gladstone Hotel - Toronto, Canadá
Scratch: Embodied Fires - The Fire Within

By Marcos Ortega on Lun, 22/05/2017 - 08:53

Carte blanche to Ana Vaz, in her presence.

Light Cone offers a carte blanche to Brazilian filmmaker and artist Ana Vaz whose films, installations and performances elaborate relationships between myth and history, ethnography and speculation, through a cosmology of references and perspectives.

Fechas:
Martes, Mayo 30, 2017 - 20:30
Local:
Studio des Ursulines - Paris, Francia
The Great Blondino and Other Delights, presented by Guy Maddin

By Marcos Ortega on Mié, 05/04/2017 - 06:29

Canyon Cinema has joined together with SFFILM to welcome renowned Canadian filmmaker Guy Maddin to the Bay Area. As a part of the 60th San Francisco International Film Festival, Maddin will present a program of rarely seen works from Canyon’s collection of over 3,200 artist-made films.
Fechas:
Sábado, Abril 15, 2017 - 20:30
Local:
San Francisco Museum of Modern Art - San Francisco, Estados Unidos
Eye on a Director: Canyon Cinema

By Marcos Ortega on Mié, 06/07/2016 - 15:22

For the second installment of Eye on a Director, MAD highlights the collection of the legendary film distributor and archive Canyon Cinema. In the late 1950s, Canyon Cinema brought together independent film artists whose work reflected a remarkable diversity in style and content. Variously called avant-garde, underground and experimental, these artists shared a vision of filmmaking as a form of personal expression, free from the demands and constraints of commercial conventions.
Fechas:
De Jueves, Julio 7, 2016 - 19:00 hasta Viernes, Julio 8, 2016 - 18:55
De Jueves, Julio 14, 2016 - 19:00 hasta Viernes, Julio 15, 2016 - 18:55
De Jueves, Julio 21, 2016 - 19:00 hasta Viernes, Julio 22, 2016 - 18:55
De Jueves, Julio 28, 2016 - 19:00 hasta Viernes, Julio 29, 2016 - 18:55
De Jueves, Agosto 4, 2016 - 19:00 hasta Viernes, Agosto 5, 2016 - 18:55
De Jueves, Agosto 11, 2016 - 19:00 hasta Viernes, Agosto 12, 2016 - 18:55
De Jueves, Agosto 18, 2016 - 19:00 hasta Viernes, Agosto 19, 2016 - 18:55
Local:
Museum of Arts and Design - ,
A Mirror Avant-Garde: Non-Canonical Canonicals By Women Filmmakers

By Marcos Ortega on Jue, 25/06/2015 - 16:35

"If you’ve seen more than three of the films in this program, I’d be surprised. Yet every single one of these films by women filmmakers, chosen from the collection of the Filmmaker’s Co-op, deserves to be written about, taught in classes, and be part of the canon of avant-garde film. In a program of striking artistic voices from filmmakers with large bodies of work, you’ll see resonances with the films of Jack Smith, Carolee Schneeman, Stan Brakhage, Len Lye, Owen Land, Hollis Frampton, Barbara Rubin, Malcolm LeGrice, and many others."

Fechas:
De Miércoles, Julio 1, 2015 - 19:00 hasta Jueves, Julio 2, 2015 - 18:55
Local:
Filmmakers Co-op - Nueva York, Estados Unidos
Abigail Child - Is This What You Were Born For?
L'œuvre filmique d'Abigail Child, d'une rare densité, constitue un point de repère incontournable dans le cinéma expérimental des années 1980. Ses films recourent aux stratégies du found footage, de l'art de l'appropriation, de la Language Poetry, ainsi q

Valoración:

Promedio: 3 (2 votos)
Categoría:
DVD
Editor:
Sophie Lynch
Eyes Upside Down:Visionary Filmmakers & the Heritage of Emersson
Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussSitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War.
Valoración:

Promedio: 1 (1 voto)
Categoría:
Libros
Editor:
Oxford University Press
A Critical Cinema 4: Interviews with Independent Filmmakers
A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers.

Valoración:

Promedio: 3 (4 votos)
Categoría:
Libros
Editor:
University of California Press

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