Etiquetas: animation

Contenido etiquetado

Del trazo al píxel: Más de cien años de animación española

By Marcos Ortega on Mié, 02/12/2015 - 12:18

El Centro de Cultura Contemporánea de Barcelona (CCCB) y Acción Cultural Española (AC/E) presentan el programa audiovisual «Del trazo al píxel. Más de cien años de animación española», que se proyectará a lo largo de ocho sesiones, entre el 3 y el 13 de diciembre, en el Auditorio del CCCB. El programa de cine, comisariado por Carolina López, traza un amplio recorrido a través de una selección de las obras de referencia de la animación española de todos los tiempos.

El ciclo incluye piezas desde 1908 hasta nuestros días, haciendo hincapié en las piezas históricas menos vistas y los cortometrajes de autor más independientes, algunos de los cuales gozan de un amplio reconocimiento internacional. Para ello se han restaurado y digitalizado obras que eran «invisibles» o de difícil acceso, y se han proporcionado los mejores materiales posibles en cada caso.

Fechas:
De Jueves, Diciembre 3, 2015 - 19:00 hasta Viernes, Diciembre 4, 2015 - 18:55
De Viernes, Diciembre 4, 2015 - 19:00 hasta Sábado, Diciembre 5, 2015 - 18:55
De Sábado, Diciembre 5, 2015 - 19:00 hasta Domingo, Diciembre 6, 2015 - 18:55
De Domingo, Diciembre 6, 2015 - 19:00 hasta Lunes, Diciembre 7, 2015 - 18:55
De Jueves, Diciembre 10, 2015 - 19:00 hasta Viernes, Diciembre 11, 2015 - 18:55
De Viernes, Diciembre 11, 2015 - 19:00 hasta Sábado, Diciembre 12, 2015 - 18:55
De Sábado, Diciembre 12, 2015 - 19:00 hasta Domingo, Diciembre 13, 2015 - 18:55
De Domingo, Diciembre 13, 2015 - 19:00 hasta Lunes, Diciembre 14, 2015 - 18:55
Local:
Centre de Cultura Contemporània de Barcelona - Barcelona, España
Xcèntric: Animación experimental norteamericana de los años ochenta

By Marcos Ortega on Lun, 27/04/2015 - 07:20

Una selección de películas de animación experimental de los Estados Unidos de los años ochenta. Las películas de Jane Aaron, Brady Lewis, Gary Schwartz y Al Jarnow juegan con el contraste entre animación y espacios reales, principalmente con técnicas de pixelación, con una intención experimental y lúdica. La trilogía City Scapes de Protovin y Backus es un retrato de observación documental de ciertos espacios de Manhattan, mezclando fotografía y animación. Las películas forman parte de la colección de la Biblioteca Pública de Nueva York, ciudad que fue uno de los focos importantes de la animación independiente de los años setenta y ochenta.

Fechas:
De Jueves, Abril 30, 2015 - 20:00 hasta Viernes, Mayo 1, 2015 - 19:55
Local:
Centre de Cultura Contemporània de Barcelona - Barcelona, España
Sweet Work: Sugar and Power

By SF Cinematheque on Mié, 12/11/2014 - 17:17

Once producing half of the nation's sugar, the Domino Sugar Refinery was a paragon of industrialism in South Williamsburg. Reprising a screening originally presented at Williamsburg’s UnionDocs in July 2014, this program presents a trio of films which examine labor history and issues of power, using this iconic factory as a lens. Domino Sugar—1989, filmed by Domino employee Kenny Malcom in 1989 and recently edited by Anthony Simon and Michael Vass, is “a time capsule of home video vignettes from 1989 filmed by a Domino Sugar employee that illuminates the diversity of the Domino workforce and the empowerment they felt at the time. Featured is a picket line in front of the Domino site, [and] a union meeting dispute between the Domino workers and the ILA Union organizers.” Animator Sarah Jane Lapp’s Sweetface (2000–2013) is a “personal essay film which uses sugar production as a point of departure to explore a variety of relational moments that involve soft power, gratitude and love. The film evolved from the filmmaker’s hand-production of about 1,000 sugar packets, the majority of which she gave as gifts to workers at the Domino Sugar Refinery during their twenty-month strike in the early 2000s.”

Fechas:
Viernes, Noviembre 28, 2014 - 19:30
Local:
Artists' Television Access - San Francisco, Estados Unidos
The Mechanical Paradise: The Films Of Steven Woloshen

By Marcos Ortega on Jue, 07/08/2014 - 15:47

The phrase "the Mechanical Paradise", coined by Robert Hughes in his book The Shock of the New, reflected new visions in painting and sculpture in the age of machines, Kino Pravda (cinema) being among the chosen mediums of this post-WWI movement.

LIFT is pleased to welcome Steven Woloshen to Toronto to present a screening of his lush and energetic hand-made films. Woloshen presents sixteen short, animated and experimental films, highlighting the mechanics and the art of the perforated film strip: cinema's direct assembly line. This 16mm/35mm film screening will cover 30 years of his unique abstract film strategies, which are scraped, glued, painted and burnt onto the surface of the film. The results dance along to their propulsive jazz soundtracks, creating a rhythmic beauty as tiny frame-by-frame gestures are writ large on the cinema screen.

Steven Woloshen in attendance

Fechas:
De Viernes, Agosto 15, 2014 - 20:00 hasta Sábado, Agosto 16, 2014 - 19:55
Local:
Cinecycle - Toronto, Canadá
Robert Darroll - The Korean Trilogy and other animations
The recently restored Korean Trilogy by Robert Darroll are now made available for personal ownership for the first time. Restoration created by Mark Toscano and the Academy Film Archive. This DVD also includes five more films by Darroll and a rare installation project.

"The first words that come to mind about Robert Darroll’s films are density and complexity -- of imagery, technique and style. He assimilates, transforms and transcends almost every technique in the history of animation. This is the apotheosis of motion graphics – simultaneously photographic, videographic and computer graphic. Darroll creates a hypnotic and visionary universe through virtuosic use of rotoscoping, compositing, layering, filtering and complex segmentations of the frame." - Gene Youngblood

Valoración:

Promedio: 4 (3 votos)
Categoría:
DVD
Editor:
iota Center
Two Ways Down

By Anonymous on Vie, 25/04/2014 - 14:50

Adams and Ollman is pleased to announce Two Ways Down, Laura Heit's new hand drawn animated installation, on view May 2 through May 31. Please join us for an opening reception with the artist on Friday, May 2 from 6-8pm.

Reflecting on the momentary nature of life, Heit’s fantastical piece uses thrown shadows from tabletop dioramas and reflected and refracted animated projections to create a fleeting world where human-animal hybrids, specters and body parts morph and flit across the walls.
Fechas:
Viernes, Mayo 2, 2014 (Todo el día)
Local:
Adams And Ollman - Portland, Estados Unidos
Live Soundtracks: The film works of Dirk de Bruyn

By Marcos Ortega on Mié, 23/04/2014 - 14:28

Six musicians improvising live soundtracks to the films of Melbourne experimental guru Dirk de Bruyn.

Dirk de Bruyn has been creating film works for over 35 years; mostly in the hand-made, 'direct animation' mode. He also performs live with multiple projections of his films in a highly embodied mode of expanded cinema performance. His work is renowned for its intricate, suggestive layering of sound and image, and use of sumptuous, blooming fields of colour.

Featuring: Mark Pedersen, Brigid Burke, Nat Grant, David Kimball, Todd Anderson-Kunert & Leo Kavanagh.

Fechas:
De Jueves, Mayo 22, 2014 - 20:00 hasta Viernes, Mayo 23, 2014 - 19:55
Local:
Longplay Bar and Cinema - Melbourne, Australia
Immagini e Suoni: studi sensoriali e disamine sociali

By Marcos Ortega on Mar, 16/04/2013 - 07:05
Giovedi’ Sperimentale
Immagini e Suoni: studi sensoriali e disamine sociali
Thursday April 18 2013, 22h
Cinema Filmstudio
Via degli Orti d’Alibert 1/c – Roma (Trastevere)

Curated by Piero Pala

On Thursday, April 18, 2013 there continues the themed programming of experimental and artists' films at Filmstudio. "Images and Sounds: sensory studies and social analysis' investigates the fundamental relationship between the two primary components of cinema where the autonomy of the two "languages" is at the service of audiovisual compositions without persuasive intent. Seven unique films (Manon De Boer, Pierre Hébert, Fernand Léger, Dudley Murphy, Karl Lemieux, Bruno Munari and Marcello Piccardo, Bernhard Schreiner, Georges Schwizgebel) that can be appreciated consistently in a movie theater.

Programme:
- Ballet mécanique (Fernand Léger & Dudley Murphy, 1924, 35mm, b&w and colour, 16’)
- I colori della luce (Bruno Munari & Marcello Piccardo, 1963, 16mm on DVD, music by Luciano Berio, 5’)
- Fugue (Georges Schwizgebel, 1998, 35mm, colour, sound, 7’4’’)
- The Technology of Tears (Pierre Hébert, 2005, 35mm, b&w, 14 min.)
- Dissection (Bernhard Schreiner, 2005, DVD, b&w, sound, 5’50’’)
- Western Sunburn (Karl Lemieux, 2006, b&w and colour, music by Radwan Moumneh, 10’)
- Attica (Manon De Boer, 2008, 16mm,b&w, sound, 9’55’’)
Categoría:
Eventos
971 Horses and 4 Zebras: Artists Apply Animation

By Marcos Ortega on Mié, 21/11/2012 - 14:29
971 Horses and 4 Zebras: Artists Apply Animation
Thursday November 29th 2012, 18:30h
Tate Modern, Starr Auditorium, Bankside, London SE1 9TG

Contemporary artists increasingly are using animation techniques in a wide variety of approach and style. This international and eclectic programme celebrates the unpredictable processes of experimental animation, with a focus on how animation as a labour intensive process and form is being applied in the creation of conceptual artworks. It includes films by Geraint Evans, David Theobald, Inger Lise Hansen, James Lowne, Nathaniel Mellors, Emily Richardson, and Chris Shepherd, and the title is taken from a work by Yu Araki in which images of horses, appropriated from the internet, reference the pre-cinema animation of Eadweard Muybridge.

The screening is followed by a panel discussion on the ways in which contemporary artists approach, appropriate and apply animation techniques in their work.

971 Horses and 4 Zebras is co-curated by artist Jordan Baseman and Gary Thomas (Animate Projects). An exhibition runs at Wimbledon Space, Wimbledon College of Art, from 2 November – 9 December 2012 and tours to CAST (Contemporary Art Spaces Tasmania), Monash University Museum of Art, Melbourne, Australia, and The British School at Rome, in 2013.
Categoría:
Eventos
Robert Darroll - Digital Animations 1990-2001
The first words that come to mind about Robert Darroll’s films are density and complexity -- of imagery, technique and style. He assimilates, transforms and transcends almost every technique in the history of animation. This is the apotheosis of motion graphics – simultaneously photographic, videographic and computer graphic. Darroll creates a hypnotic and visionary universe through virtuosic use of rotoscoping, compositing, layering, filtering and complex segmentations of the frame.

Valoración:

Promedio: 3 (1 voto)
Categoría:
DVD
Editor:
iota Center

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