Etiquetas: Jerome Hiler

Contenido etiquetado

Horas iluminadas. Nathaniel Dorsky y Jerome Hiler
Nathaniel Dorsky y Jerome Hiler se conocieron en 1964, en el estreno de la primera película de Dorsky, Ingreen. Este encuentro marcó el inicio de una vida en común, así como una serie de intensos intercambios creativos, que continúan hoy en día. Tras la primera trilogía de películas sonoras realizadas en su adolescencia, Dorsky comenzó a explorar las posibilidades del cine silente, así como la forma poética del llamado «montaje polivalente».
Valoración:

Promedio: 2.6 (5 votos)
Categoría:
Libros
Editor:
Lumière
exff - tage des experimentellen films frankfurt 2021

By Marcos Ortega on Vie, 30/07/2021 - 04:31

exff – tage des experimentellen films frankfurt holds its first edition next August 18-22, "seeking over the course of four days to create a space in which to explore the different materialities that all contribute to the specificity of cinema as an independent art form."
Fechas:
De Jueves, Agosto 12, 2021 (Todo el día) hasta Domingo, Agosto 15, 2021 (Todo el día)
Turbidus Film #17: Jerome Hiler

By Marcos Ortega on Lun, 12/12/2016 - 05:55

Turbidus Film and Fylkingen present, as a part of Kortfilmsdagen, three films by Jerome Hiler. The films by Hiler blend a beauteous celebration of the sensual world with a deep sense of introspection and solitude. They are occasions for reflection and meditation, on light, landscape, time and the motions of consciousness. For example, In the Stone House literally compiles physically fragile and intensely poignant footage shot during the same period chronicled in Nathaniel Dorsky's Hours for Jerome (1967-1971).
Fechas:
De Miércoles, Diciembre 21, 2016 - 19:00 hasta Jueves, Diciembre 22, 2016 - 18:55
Local:
Fylkingen - Stockholm, Suecia
Alternative Visions: Films of Jerome Hiler

By Marcos Ortega on Mié, 15/10/2014 - 02:23

Jerome Hiler's In the Stone House records and recollects a period of life of four years in rural New Jersey. In the latter 1960s, two young guys with monastic leanings leave the clatter of Manhattan’s art and film scene to catch the wave of higher consciousness that was about to change the world forever to find themselves washed ashore in a place only slightly updated from Way Down East. The monastic retreat quickly turned into the weekend getaway for a host of extravagant Manhattanites seeking films and fun. We learned from hitch-hiking guests that the police referred to our haven as “the stone house.” Although New Shores is a completely independent project, it could also be seen as a continuation of the world of In the Stone House. It affords glimpses of life led over three decades from the 1970s to the 1990s in San Francisco.

Fechas:
De Miércoles, Octubre 22, 2014 - 19:00 hasta Jueves, Octubre 23, 2014 - 18:55
Local:
Berkeley Art Museum and Pacific Film Archive - Berkeley , Estados Unidos
The Cinema of Poetry
Informed by the criticism of iconic filmmaker Pier Pasolini, The Cinema of Poetry offers spirited explorations of poetry's influence on classic films by Dimitri Kirsanoff, Ingmar Bergman, and Andrey Tarkovsky. It also highlights how avant-garde films made by Joseph Cornell, Lawrence Jordan, Jerome Hiler, Gregory Markopoulos, and others found rich, unexpected sources of inspiration in a diverse group of poets that includes Stéphane Mallarmé, Emily Dickinson, H.D., Ezra Pound, Robert Duncan, John Ashbery, and Aeschylus. Written with verve and panache, it represents the culmination of P. Adams Sitney's career-long fascination with the intersection of poetry, film, and the avant-garde.

Valoración:

Promedio: 3.2 (6 votos)
Categoría:
Libros
Editor:
Oxford University Press

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