The National Film Preservation Foundation has just announced its 2014 grant winners:

Anthology Film Archives (New York)
- Globe (1971), Ken Jacobs' 3D view of the streets of Binghamton, New York.

Bard College (New York)
- FF (1986), Julie Murray’s assemblage of rephotographed images from pop culture.
- Tr’cheot’my P’sy (1988), Julie Murray’s fast-paced feminist collage.
- A Legend of Parts (1988), parodic history of civilization by Julie Murray, assembled from found footage and 3D postcards.
- Conscious (1993), Julie Murray’s collage of educational and science films.

Carte Blanche: Ken Jacobs
May 2–5, 2013
MoMA
11 West 53 Street, New York, NY 10019|

As one of the founding fathers of American experimental cinema, Ken Jacobs’s impact cannot be overstated. He is a pioneer who, after more than 50 years as a filmmaker, remains as innovative and productive as ever. Correction: at 80 years old he’s more productive than ever, having enthusiastically embraced digital filmmaking. Enormously influential as both a teacher and a font of radical filmmaking ideas, he has prepared several generations of teachers, writers, filmmakers, and discerning audience members to actively engage, with an equal amount of open-minded awe and healthy skepticism, with a media-saturated world. A frequent guest at the Museum—and the subject of a 1996 MoMA retrospective—Jacobs continues to surprise us with amazing inventions that mine the unlimited possibilities of creating with light and moving images. For this installment of MoMA’s Carte Blanche screening series, Jacobs presents films from MoMA’s collection that have influenced and inspired him, alongside selections of his own work—film prints, electronic media pieces, Nervous Magic Lantern performances—that represent key moments in his artistic life. The series also includes the world premiere of Jacobs’s four-part Joys of Waiting for the Broadway Bus cycle of digital works.

All film notes were written by Ken Jacobs, unless otherwise noted.

Conversations at the Edge: Wavelengths, in the blink of an eye
Thursday, March 21 2013, 18h
Gene Siskel Film Center
164 N. State, Chicago, IL, USA
Curator Andréa Picard in person

Named for but also infinitely inspired by Michael Snow’s 1967 masterpiece, Wavelength, the Toronto International Film Festival’s avant-garde program presents films and videos that defy convention, suggest alternate ways of thinking, and sometimes re-emerge from a distant past in order to comment on the present. Curated by Andréa Picard, who has curated Wavelengths since 2006, this program is a Wavelengths compendium featuring a number of works from the 2012 line-up (including Nathaniel Dorsky’s August and After, Ernie Gehr’s Auto-Collider XV and Lonnie van Brummelen and Siebren de Haan’s View from the Acropolis which were all cited in the New York Times’ best films of the year wrap-up and screen as Chicago premieres) and highlights from previous editions, including a 35mm restored print from La Cinémathèque française of Henri Storck’s too-rarely seen 1929 Surrealist gem, Pour vos beaux yeux. Blinking is not encouraged!