Etiquetas: Peggy Ahwesh

Contenido etiquetado

  • Selected Experimental and Animated Works from the Women’s Film Preservation Fund

    By on

    Since 1996 the Women’s Film Preservation Fund has preserved a number of significant experimental and animated works by American women, many of which reflect pioneering approaches and unique voices.  These include works by Storm de Hirsch, Barbara Hammer, Peggy Ahwesh, Bette Gordon, and Helen Hill among others. 

    Fechas: 

    De Viernes, Junio 21, 2019 (Todo el día) hasta Sábado, Junio 22, 2019 (Todo el día)

    Local: 

    Anthology Film Archives - Nueva York, Estados Unidos

  • e-flux: Peggy Ahwesh in conversation with Michele Pierson

    By on
    Alluvium (Peggy Ahwesh, 2015)

    Join us on Saturday, September 29 at 6pm for a special evening with filmmaker Peggy Ahwesh, organized in parallel to e-flux journal's current double issue on feminism(s). The evening features a screening of Ahwesh's films The Star Eaters (2003), Alluvium (2015), The Blackest Sea (2017), and The Falling Sky (2017), followed by a discussion between Ahwesh and film scholar Michele Pierson.

    Fechas: 

    De Sábado, Septiembre 29, 2018 - 18:00 hasta Domingo, Septiembre 30, 2018 - 17:55

    Local: 

    e-flux - Nueva York, Estados Unidos

  • New Beginnings: Works by Peggy Ahwesh, Sadie Benning, Nina Fonoroff

    By on
    Martina’s Playhouse (Peggy Ahwesh, 1989)

    New Beginnings for the New Year features a selection of Sadie Benning’s proto-riot grrl PXLvision cine-confessions, Peggy Ahwesh’s documentary-styled verité melodrama Martina’s Playhouse (1989) and Nina Fonoroff’s The Accursed Mazurka (1994), an epic collage consideration of spiraling mental illness, recovery and identity.

    Fechas: 

    Jueves, Enero 25, 2018 - 19:30

    Local: 

    Artists' Television Access - San Francisco, Estados Unidos

  • BLITZ #8: Burn

    By on

    Un programa comisariado por Alison Nguyen

    “Burn” es un ciclo de piezas de cineastas y video-artistas que emplean en sus obras formas de apropiación, desmaterialización y manipulación de señales electrónicas. Estas piezas subvierten los códigos visuales de los mass media, reposicionando materiales como comerciales, pornografía y películas de Hollywood. Al “quemar” archivos contemporáneos, estos artistas crean nuevos textos que desafían nuestra forma de ver las construcciones sociales dominantes.

    Fechas: 

    De Sábado, Enero 20, 2018 - 19:00 hasta Domingo, Enero 21, 2018 - 18:55

    Local: 

    Zumzeig Cinema - Barcelona, España

  • The Women’s Film Preservation Fund: Four Experimental Films

    By on
    DOPPELGANGER, Peggy Ahwesh,

    The Museum of Modern Art will present The Women’s Film Preservation Fund: Four Experimental Films January 22nd at 7:15pm in its annual festival, To Save and Project. The films by Peggy Ahwesh, Barbara Hammer, Victoria Hochberg, and Sheila Paige were all recently preserved by The Women’s Film Preservation Fund of New York Women in Film & Television.

    Fechas: 

    Lunes, Enero 22, 2018 - 19:15

    Local: 

    MoMA New York - , Estados Unidos

  • IFI & AEMI Projections: Films By Peggy Ahwesh and Julie Murray

    By on

    AEMI and IFI present the film and video work of Peggy Ahwesh and Julie Murray. The programme examines the distinct and overlapping interests of two significant filmmakers, both of whom will be in attendance for the screening.

    Over several decades of practice Peggy Ahwesh has created one of the more heterogeneous bodies of work in the pantheon of experimental cinema. From early films shot on Super8 to recent forays into digital animation, Ahwesh’s work powerfully addresses questions of feminism, cultural identity and performance.

    Fechas: 

    De Sábado, Junio 17, 2017 - 13:00 hasta Domingo, Junio 18, 2017 - 12:55

    Local: 

    Irish Film Institute - Dublin, Irlanda

  • Processed: To Each Their Own Image

    By on
    Teen Dream (Katherine Bauer, 2015)

    At a time when images are increasingly subject to digital processing through a multiplicity of technologies and formats, artists are confronted by a plethora of visual and expressive possibilities. The 16mm films and videos by New York artists assembled for this programme present personal ways of chemically or digitally manipulating moving images.

    Works by Peggy Ahwesh, Katherine Bauer, Lisa Gwilliam & Ray Sweeten (DataSpaceTime), Sarah Halpern, Josh Lewis, Zach Nader, Keith Sanborn, Leslie Thornton, Matt Town

    Fechas: 

    De Miércoles, Diciembre 7, 2016 - 19:00 hasta Jueves, Diciembre 8, 2016 - 18:55

    Local: 

    Centre Pompidou - Paris, Francia

  • OFFoff Cinema: Computer Games

    By on

    There was a moment, now passed, when the capabilities of the internet and the dreams and ambitions of its users perfectly aligned, before the virtual had been unmasked as another instrument of capitalism and control. At this moment - June 23, 2003, to be precise -Second Life began. The sci-fi promise of a virtual world where people could live out some alternate existence had been fulfilled, rising from the aftermath of the dot-com crash.

    Fechas: 

    De Lunes, Noviembre 14, 2016 - 20:00 hasta Martes, Noviembre 15, 2016 - 19:55

    Local: 

    OFFoff Cinema - Ghent, Bélgica

  • Dreamland: An Evening with Peggy Ahwesh and Julie Murray

    By on
    The Blackest Sea (Peggy Ahwesh, 2016)

    Peggy Ahwesh presents a selection of works including the premiere of her new video "The Blackest Sea” in a program with Julie Murray and Bruce Conner taking place at the Museum of Modern Art (MoMA) in connection with the exhibition "Bruce Conner: It's All True" currently on view at the museum.

    "Known in part for their distinct approaches to found-footage cinema, which have straddled analogue and digital technologies, filmmakers Peggy Ahwesh and Julie Murray will share some of their own films alongside a pair of melancholic Conner films from the late 1970s: TAKE THE 5:10 TO DREAMLAND (1977) and VALSE TRISTE (1978)." — MoMA, Program Notes

    Fechas: 

    De Miércoles, Septiembre 28, 2016 - 19:00 hasta Jueves, Septiembre 29, 2016 - 18:55

    Local: 

    MoMA New York - , Estados Unidos

  • Eye on a Director: Canyon Cinema

    By on
    Skagafjörður (Peter Hutton, 2004)

    For the second installment of Eye on a Director, MAD highlights the collection of the legendary film distributor and archive Canyon Cinema. In the late 1950s, Canyon Cinema brought together independent film artists whose work reflected a remarkable diversity in style and content. Variously called avant-garde, underground and experimental, these artists shared a vision of filmmaking as a form of personal expression, free from the demands and constraints of commercial conventions. 

    Fechas: 

    De Jueves, Julio 7, 2016 - 19:00 hasta Viernes, Julio 8, 2016 - 18:55
    De Jueves, Julio 14, 2016 - 19:00 hasta Viernes, Julio 15, 2016 - 18:55
    De Jueves, Julio 21, 2016 - 19:00 hasta Viernes, Julio 22, 2016 - 18:55
    De Jueves, Julio 28, 2016 - 19:00 hasta Viernes, Julio 29, 2016 - 18:55
    De Jueves, Agosto 4, 2016 - 19:00 hasta Viernes, Agosto 5, 2016 - 18:55
    De Jueves, Agosto 11, 2016 - 19:00 hasta Viernes, Agosto 12, 2016 - 18:55
    De Jueves, Agosto 18, 2016 - 19:00 hasta Viernes, Agosto 19, 2016 - 18:55

    Local: 

    Museum of Arts and Design - ,

Páginas

Etiquetas relacionadas

Julie Murray

Tag cloud

Nathaniel Dorsky screening Xcèntric experimental film releases Stan Brakhage Blitz Sessions interview Pablo Marín Screening LAV Robert Beavers Jonas Mekas performance Cineinfinito LAV DVD CCCB call for entries Crater Lab festival Barbara Hammer (S8) Mostra de Cine Periférico videoart Kenneth Anger Phil Solomon
Más

Al azar